Justin Jeffcoat Schedtler evaluates the longstanding claim that Revelation's hymns bear resemblances to ancient tragic choruses, providing up to date exegetical analysis of Revelation's hymns, introductions to ancient tragedy and ancient choral forms, as well as a comprehensive presentation of the forms and functions of ancient tragic choruses and choral lyrics.

The claim that Revelation's hymns function as did Classical tragic choral lyrics insofar as they comment upon or interpret the surrounding narrative has become axiomatic in studies of Revelation.
Justin Jeffcoat Schedtler marks an advance in this line of inquiry by offering an exegetical analysis of Revelation's hymns alongside a presentation of the forms and functions of ancient tragic choruses and choral lyrics. Evaluating the hymns in light of the varieties and complexities of ancient tragic choruses, he demonstrate that they are not best evaluated in terms of choral lyrics generally, but in terms of dramatic hymns in particular, insofar as they constitute mythological-theological reflections on the surrounding narrative, and function to situate the surrounding dramatic activity in a particular mythological-theological contexts.

Autorentext
Born 1977; 1999 BA in Liberal Arts, Saint Olaf College; 2007 MA in Religious Studies, Luther Seminary; 2011 MA in Classical and Near Eastern Studies, University of Minnesota; 2013 PhD in New Testament, Emory University.

Klappentext

The claim that Revelation s hymns function as did Classical tragic choral lyrics insofar as they comment upon or interpret the surrounding narrative has become axiomatic in studies of Revelation.Justin Jeffcoat Schedtler marks an advance in this line of inquiry by offering an exegetical analysis of Revelation s hymns alongside a presentation of the forms and functions of ancient tragic choruses and choral lyrics. Evaluating the hymns in light of the varieties and complexities of ancient tragic choruses, he demonstrate that they are not best evaluated in terms of choral lyrics generally, but in terms of dramatic hymns in particular, insofar as they constitute mythological-theological reflections on the surrounding narrative, and function to situate the surrounding dramatic activity in a particular mythological-theological contexts.