This book explores the ways in which poetic inspiration came to be associated with madness in early nineteenth-century Britain. By examining the works of poets such as Barrett, Browning, Clare, Tennyson, Townshend, and the Spasmodics in relation to the burgeoning asylum system and shifting medical discourses of the period, it investigates the ways in which Britain's post-Romantic poets understood their own poetic vocations within a cultural context that insistently linked poetic talent with illness and insanity. Joseph Crawford examines the popularity of mesmerism among the writers of the era, as an alternative system of medicine that provided a more sympathetic account of the nature of poetic genius, and investigates the persistent tension, found throughout the literary and medical writings of the period, between the Romantic ideal of the poet as a transcendent visionary genius and the 'medico-psychological' conception of poets as mere case studies in abnormal neurological development.

Bridges the historical gap between studies of Romantic poetry and madness Considers a varied group of writers to offer an inclusive portrait of the period's attitudes toward poetic inspiration and insanity Examines a crucial transitional period in medical psychology and its influence on poetry

Autorentext
Joseph Crawford is Senior Lecturer in English Literature at the University of Exeter, UK. His previous books include Raising Milton's Ghost (2011), Gothic Fiction and the Invention of Terrorism (2013), and The Twilight of the Gothic (2014).

Inhalt

Introduction.- 2. 'He was not one of ye': poetry and mental peculiarity, 1825-36.- 3. 'Ah! let me not be fool'd': delusion and inspiration in the poems of Browning and Tennyson, 1832-40.- 4. Sir William's last stand: poetry and insanity in England, 1837-42.- 5. Seeing Things: Mesmerism, Spiritualism, and Romantic Poetry, 1836-55.- 6. 'The Madness': inspiration and insanity in Spasmodic poetry, 1851-55.- 7. Epilogue: 'It is strange.'.