Hitler's Mein Kampf and the Holocaust is a very important anthology about one of the most influential books in modern world history, written by Adolf Hitler in 1923/24 during his imprisonment in the small Bavarian town of Landsberg am Lech. After its first appearance in 1925 it was destined to unfold its fatal effect as an ideological manifest of National Socialism. The anthology sheds light on key aspects of the complex history of the impact of Mein Kampf and represents a standard work on this subject.

Vorwort
A scholarly investigation of Mein Kampf and its relationship to the Nazi Holocaust which followed.

Autorentext
John J. Michalczyk is Professor and Director of Film Studies in the Art, Art History, and Film department of Boston College, USA, and author and/or editor of fourteen books, including works on Ingmar Bergman, as well as on French and Italian filmmakers. More recently he has published Filming the End of the Holocaust (Bloomsbury 2016), Confront! Resistance in Nazi Germany (2005), and Nazi Law: From Nuremberg to Nuremberg (Bloomsbury 2017). Since 1992, he has been a documentary filmmaker, whose works include The Cross and the Star: Jews, Christians and the Holocaust; Nazi Medicine: In the Shadow of the Reich; Creating Harmony: The Displaced Jewish Orchestra from St. Ottilien; Writing on the Wall: Remembering the Berlin Wall; Nazi Law: Legally Blind; and Hitler's Mein Kampf: Prelude to the Holocaust.Michael S. Bryant is Professor of History and Legal Studies at Bryant University, USA. He is the author of Eyewitness to Genocide: The Operation Reinhard Death Camp Trials, 1955-1966 (2014), and co-author of Global Legal Traditions: Comparative Law for the 21st Century (2021) and Hitler's 'Mein Kampf' and the Holocaust (Bloomsbury Academic, forthcoming), amongst others.Susan A. Michalczyk* is a professor in the Boston College Morrissey College of Arts and Sciences, USA. Author, editor, and documentary filmmaker, her main interests are comparative literature, language, art, and film, focus upon the autobiographical narrative/memory experience as it relates to film and literature. She has been a partner with her husband, John J. Michalczyk, in both teaching and film production for over twenty-five years, focusing on issues of social justice and human rights. Co-producer and scriptwriter, her works include Nazi Medicine: In the Shadow of the Reich; Creating Harmony: The Displaced Persons' Orchestra from St. Ottilien;Killing Silence: Taking on the Mafia in Sicily; Writing on the Wall: Remembering the Berlin Wall; Lou Montgomery: A Legacy Restored; Nazi Law: Legally Blind, Hitler's Mein Kampf: Prelude to the Holocaust.*

Zusammenfassung
For decades scholars have pored over Hitler's autobiographical journey/political treatise, debating if Mein Kampf has genocidal overtones and arguably led to the Holocaust. For the first time, Hitler's Mein Kampf and the Holocaust sees celebrated international scholars analyse the book from various angles to demonstrate how it laid the groundwork for the Shoah through Hitler's venomous attack on the Jews in his text. Split into three main sections which focus on 'contexts', 'eugenics' and 'religion', the book reflects carefully on the point at which the Fuhrer's actions and policies turn genocidal during the Third Reich and whether Mein Kampf presaged Nazi Germany's descent into genocide. There are contributions from leading academics from across the United States and Germany, including Magnus Brechtken, Susannah Heschel and Nathan Stoltzfus, along with totally new insights into the source material in light of the 2016 German critical edition of Mein Kampf. Hitler's views on Marxism, violence, and leadership, as well as his anti-Semitic rhetoric are examined in detail as you are taken down the disturbing path from a hateful book to the Holocaust.

Inhalt
List of Figures Contributors Acknowledgements Foreword, Timothy Ryback Introduction Part I. The Mise en scène of Mein Kampf, 1924-2016 1. Focus Landsberg: A Bavarian Town and its History Tied to Hitler, Karla Schoenebeck (Independent Scholar, Germany) 2. Mein Kampf: Part of the Right-Winged German Post-War Literature, Othmar Ploeckinger (Brandeis University, USA) 3. Mein Kampf: The Critical Edition in Historical Perspective, Magnus Brechtken (Institute of Contemporary History, Germany) Part II. Maintaining Power 4. Hitler, Leadership and The Holocaust, Paul Bookbinder (University of Massachusetts Boston, USA) 5. Violence in Mein Kampf: Tactic and Political Communication, Nathan Stoltzfus (Florida State University, USA) and Ryan Stackhouse (Independent Scholar, USA) Part III. Eugenics and Aesthetics in Mein Kampf 6. Blood, Race and the Holocaust, John J. Michalczyk (Boston College, USA) 7. Degeneracy: Attack on Modern Art and Music, Ralf Yusuf Gawlick (Boston College, USA) and Barbara S. Gawlick (Boston College, USA) Part IV. Mein Kampf and the Crusade against Germany's 'Enemies' 8. The Auroras of the Final Solution: Intimations of Genocide in Mein Kampf, Michael Bryant (Bryant University, USA) 9. Pathway to the Shoah: The Protocols, 'Jewish Bolshevism', Rosenberg, Goebbels, Ford, and Hitler, David Crowe (Chapman University, USA) 10. Marxism: Enemy of the People in the Political Party and Military System, Melanie Murphy (Emmanuel College, USA) 11. Being Adolf Hitler: Mein Kampf as Anti-Semitic Bildungsroman, Susannah Heschel (Dartmouth College, USA) Part V. Religious Overtones in Mein Kampf 12. Mein Kampf: Catholic Authority and the Holocaust, Martin Menke (Rivier University, USA) 13. The Apocalypse of Adolf Hitler: Mein Kampf and the Eschatological Origins of the Holocaust, David Redles (Cuyahoga Community College, USA) Part VI. Epilogue 14. Holocaust Education and (Early) Signs of the Erosion of Democracy, Tetyana Kloubert (Catholic University of Eichstaett-Ingolstadt, Germany) Appendices Notes Bibliography Index