“Everything you could want in a classic ghost story.” —Chris Bohjalian, author of The Light in the Ruins
 
“One of the year’s most chilling novels. . . . Enthralling.”—The Miami Herald
 
“Crisp, mysterious and scary. . . . Reminiscent of Stephen King.” —USA Today
 
“A hauntingly beautiful read.” —Oprah.com  
 
“The Winter People is hypnotic, gripping and deeply moving. . . . A dream from which I didn't want to wake.”  —Lisa Unger, author of In the Blood 

“McMahon is a scrupulous writer, nicely attentive to the nuances of character and landscape.... The mournful voice of Sara Shea lingers in the memory, and McMahon, wisely, gives her the last word.” —The New York Times Book Review
 
“An edge-of-your-seat scary ghost story. . . . I will never look at the woods behind my home in the same way again!” —Heather Gudenkauf, author of The Weight of Silence
 
“Not a book to be read late at night, or in a creaky old house, The Winter People is a literary thriller to savor.” —Shelf Awareness 

“Deliciously terrifying. . . . Jennifer McMahon knows how to conjure your darkest fears and nightmares . . . pulling you deep into the forbidden, secret world of The Winter People.” —Chevy Stevens, author of Always Watching 
 
“The Winter People blends the anguish of loss and the yearning for connection into one great story, well told.”  —Kate Alcott, author of The Dressmaker
 
“McMahon gives readers just what they want: can’t-put-it-down, stay-up-until-dawn reading. . . . [The Winter People] is also a poignant reminder of what grief can drive humans to do.” —BookPage  
 
"Gives a fresh twist to a small-town ghost story.” —The South Florida Sun-Sentinel 
 
“Hard to put down.” —The Oklahoman 

Autorentext

JENNIFER McMAHON is the author of six novels, including the New York Times bestsellers Island of Lost Girls and Promise Not to Tell. She graduated from Goddard College and studied poetry in the MFA Writing Program at Vermont College. She currently lives with her partner and daughter in Montpelier, Vermont.

Klappentext

**NATIONAL BESTSELLER • The New York Times bestselling author of The Invited will shock you with a simmering psychological thriller about ghostly secrets, dark choices, and the unbreakable bond between mothers and daughters. • "One of the year's most chilling novels." —The Miami Herald
**
West Hall, Vermont, has always been a town of strange disappearances and old legends. The most mysterious is that of Sara Harrison Shea, who, in 1908, was found dead in the field behind her house just months after the tragic death of her daughter.
 
Now, in present day, nineteen-year-old Ruthie lives in Sara’s farmhouse with her mother, Alice, and her younger sister. Alice has always insisted that they live off the grid, a decision that has weighty consequences when Ruthie wakes up one morning to find that Alice has vanished. In her search for clues, she is startled to find a copy of Sara Harrison Shea's diary hidden beneath the floorboards of her mother's bedroom. As Ruthie gets sucked into the historical mystery, she discovers that she’s not the only person looking for someone that they’ve lost. But she may be the only one who can stop history from repeating itself.

Leseprobe
*Excerpted from the Hardcover Edition
*

Visitors from the Other Side

The Secret Diary of Sara Harrison Shea

January 29, 1908

The first time I saw a sleeper, I was nine years old.

It was the spring before Papa sent Auntie away--before we lost my brother, Jacob. My sister, Constance, had married the fall before and moved to Graniteville.

I was up exploring in the woods, near the Devil’s Hand, where Papa had forbidden us to play. The trees were leafing out, making a lush green canopy overhead. The sun had warmed the soil, giving the damp woods a rich, loamy smell. Here and there beneath the beech, sugar maple, and birch trees were spring flowers: trilliums, trout lilies, and my favorite, jack-in-the-pulpit, a funny little flower with a secret: if you lift the striped hood, you’ll find the preacher underneath. Auntie had shown me this, and taught me that you could dig up the tubers and cook them like turnips. I had just found one and was pulling back the hood, looking for the tiny figure underneath, when I heard footsteps, slow and steady, moving my way. Heavy feet dragging through the dry leaves, stumbling on roots. I wanted to run, but froze with panic, having squatted down low behind a rock just as a figure moved into the clearing.

I recognized her at once--Hester Jameson.

She’d died two weeks before from typhoid fever. I had attended her funeral with Papa and Jacob, seen her laid to rest in the cemetery behind the church up by Cranberry Meadow. Everyone from school was there, all in Sunday best.

Hester’s father, Erwin, ran Jameson’s Tack and Feed Shop. He wore a black coat with frayed sleeves, and his nose was red and running. Beside him stood his wife, Cora Jameson, a heavyset woman who had a seamstress shop in town. Mrs. Jameson sobbed into a lace handkerchief, her whole body heaving and trembling.

I had been to funerals before, but never for someone my own age. Usually it was the very old or the very young. I couldn’t take my eyes off the casket, just the right size for a girl like me. I stared at the plain wooden box until I grew dizzy, wondering what it might feel like to be laid out inside. Papa must have noticed, because he took my hand and gave it a squeeze, pulled me a little closer to him.

Reverend Ayers, a young man then, said Hester was with the angels. Our old preacher, Reverend Phelps, was stooped over, half deaf, and none of what he said made any sense--it was all frightening metaphors about sin and salvation. But when Reverend Ayers with his sparkling blue eyes spoke, it felt as if he said each word right to me.

“I am he who will sustain you. I have made you and I will carry you; I will sustain you and I will rescue you.”

For the first time, I understood the word of God, because Reverend Ayers spoke it. His voice, all the girls said, could soothe the Devil himself.

A red-winged blackbird cried out conk-a-reee from a nearby hazel bush. He puffed up his red shoulders and sang over and over, as loud as he could, his call almost hypnotic; even Reverend Ayers paused to look.

Mrs. Jameson dropped to her knees, keening. Mr. Jameson tried to pull her up, but did not have the strength.

I stood right beside Papa, clutching his hand, as dirt was shoveled down on the coffin of poor Hester Jameson. Hester had a crooked front tooth, but a beautifully delicate face. She had been the best in our class at arithmetic. Once, for my birthday, she gave me a note with a flower pressed inside. A violet it was, dried out and perfectly preserved. May your day be as special as you are, she’d written in perfect cursive. I tucked it into my Bible, where it stayed for years, until it either disintegrated or fell out, I cannot recall.

Now, two weeks after her very own funeral, Hester’s sleeper caught sight of me there in the woods, crouching behind the rock. I shall never forget the look in her eyes--the frightened half-recognition of someone waking from a horrible dream.

I had heard about sleepers; there was even a game we played in the schoolyard in which one child would be laid out dead in a circle of viole…