Harmony Notes: Book 2, is a natural follow on from Harmony Notes: Book 1. The vocabulary is expanded to encompass dissonant decoration, modulation, secondary 7ths and an exploration of Classical chromatic harmony. Clear uncomplicated explanations of each topic accompanied by aural examples are central to the conception and design.

Autorentext

Jean Archibald MusDip UCD, LRAM, ARCM studied music at University College Dublin and the Royal Irish Academy of Music. She has been a longstanding member of the Musicianship Faculty at the Royal Irish Academy of Music; teaching junior musicianship and lecturing in harmony and counterpoint, keyboard harmony and aural training on third-level degree programmes. ** Marie Moran** BA Mod, LRIAM, LGSM, LTCL studied Music at Trinity College Dublin and the Royal Irish Academy of Music. Her musical journey has been shaped by her teaching in both institutions. She has been a key member of the RIAM Musicianship Faculty since 1986, lecturing in music theory, orchestration, harmony and counterpoint, analysis, keyboard harmony and aural training. As Head of the RIAM Musicianship Faculty over many years she played a vital role in the initiation and development of various third-level degree programmes. She has held the position of Head of Academic Studies from 2018-2022.

Inhalt

Contents: Suspensions - Accented Passing Notes - Melodic Minor Harmonisation - Harmonic Analysis 1 - Modulation Part 1 - Dominant and Relative (major keys) - Modulation Part 2 - Dominant and Relative (minor keys) - Modulation Part 3 - Transition - Modulation Part 4 - Pivot, Transition, Home key - Modulation Part 5 - Expanding the Range of Keys - Harmonic Analysis 2 - Diatonic Sequence and Some Secondary 7th Chords - More Secondary 7th Chords - Chromaticism - an Introduction - Secondary Dominants - Chromatic Melodic Decoration - Further Chromatic Chords Part 1- Neapolitan 6th - Further Chromatic Chords Part 2 - Augmented 6th - Harmonic Analysis 3.