Recovering and exploring some of the diverse interrelationships between Ireland on the one hand and Central and Eastern Europe on the other, this volume charts some of the alternative, lesser-known routes that Irish cultural life has taken, and recalibrates the map of Irish literary, artistic and historical experiences.

Through increased immigration, Ireland has encountered Central and Eastern Europe in a very direct manner since the mid-1990s. However, there was already a scattered history of cultural communication between these two regions, even if these dialogues have often been discrete and discontinuous. Recovering and exploring some of these diverse interrelationships, this volume charts some of the alternative, lesser-known routes that Irish cultural life has taken. By plotting various movements between these two peripheries of Europe, the book recalibrates the map of Irish literary, artistic and historical experiences. In doing so, it also looks to incorporate this movement into theoretical understandings of Irish culture.

Autorentext

Aidan O Malley teaches at the University of Rijeka and at the University of Zagreb, where he is establishing a Centre for Irish Studies. The author of Field Day and the Translation of Irish Identities: Performing Contradictions (2011), he has also published articles and chapters on contemporary Irish literature and cultural translation. He has also edited a special issue of the European Journal of English Studies, `Myths of Europe: East of Venice , that examines literary and cultural interactions between Central and Eastern Europe and the Anglophone world in the post-Cold War period. Eve Patten is Associate Professor of English and Head of School at Trinity College Dublin. She graduated from Oxford and completed her PhD at Trinity, then held a two-year Junior Fellowship at the Institute of Irish Studies in Queen s University Belfast. She worked for several years for the British Council in Eastern Europe before returning to Trinity as a lecturer in 1996. She teaches nineteenth- and twentieth-century British and Irish writing, specializing in modern and contemporary Irish fiction in English and the literature of the Second World War. Her most recent publication is Imperial Refugee: Olivia Manning s Fictions of War (2012).

Inhalt

Contents: Eve Patten/Aidan O'Malley: Introduction: Ireland: West to East - Barra Ó Seaghdha: A Journey Eastward: Reframing the History of Irish Classical Music - Lili Zách: Ireland, Czechoslovakia and the Question of Small Nations in the Context of Ireland's Wartime Neutrality - Natalie Wynn: Irish-Jewish Constructs of Tsarist Eastern Europe - Philip Coleman: Writing Between: Hungarian Affinities in Contemporary Irish Poetry - Guy Woodward: 'We must know more than Ireland': John Hewitt and Eastern Europe - Borislav Knezevic: An Exceptional Common Culture: Postcolonial Nostalgia and Ulysses - Tatjana Jukic: Between Auschwitz and Siberia: James Joyce, Danilo Kis and a Zoning of Totalitarianism - Vital Voranau: Beckett Country: Irish Motifs in a Belarusian Landscape - Aidan O'Malley: Hubert Butler 'In Europe's Debatable Lands' - Michael McAteer: From Ireland to Croatia: Hubert Butler and Alojzije Stepinac - Stipe Grgas: Hubert Butler's Non-Presence in Croatia - John McCourt: Eastern European Images in the Irish Novel from Charles Lever to Colum McCann - Aisling McKeown: 'A distraction in other people's worlds' or 'an insider taking action'? The Representation of the Eastern European Male Migrant in Chris Binchy's Open-handed and Hugo Hamilton's Hand in the Fire - Mária Kurdi: Hungarian Migration to Ireland after the 1956 Revolution: Mark Collins's Novel Stateless in the Celtic Tiger Context - Eglantina Remport: 'History repeating': From Belfast to Budapest in Glenn Patterson's Number 5.