To mark the bicentenary of Sheridan Le Fanu's birth, this collection brings together established scholars and emerging researchers to shed new light on some of his less famous fiction and celebrate his contribution to the Gothic genre. It also considers his relationship to Victorian Dublin and explores his status as an important 'Irish' writer.

Best known for his Gothic masterpiece Uncle Silas and the vampire story Carmilla, Joseph Sheridan Le Fanu was a prolific writer whose extensive body of work included historical, sensation and horror novels, poems and ballads, numerous stories of the supernatural, journalism and a verse-drama. While his name is well known to aficionados of the horror genre, much of his work still remains in the shadows. Indeed, despite his vampire creation, Carmilla, being the best-known female blood-sucker in the world, and despite an enormous scholarly and popular interest in the novella in which this character first appeared (an interest evident in the very large number of cinematic, televisual and even new media adaptations of the story), Le Fanu himself is almost completely unknown outside of the world of Irish Gothic scholarship, and most of his fiction remains difficult to obtain or is out of print. To celebrate the bicentenary of Le Fanu's birth, this collection brings together established scholars and emerging researchers in order to shed new light on some of his less famous fiction and celebrate his influential contribution to the Gothic genre. The main aim of the collection is to read Le Fanu in the round, expanding the critical focus away from its current obsession with a small proportion of his work and taking account of the full extent of his writing, from his other Gothic novels, The Rose and the Key, Haunted Lives and A Lost Name, to his short stories and journalism. The collection also considers Le Fanu's relationship to Victorian Ireland and especially Dublin from a number of different angles, as well as addressing his status as an 'Irish' writer of substance.

Autorentext

Jarlath Killeen is Associate Professor in the School of English, Trinity College Dublin. His most recent monograph is The Emergence of Irish Gothic Fiction (2015). Valeria Cavalli is a teaching assistant in the School of English at Trinity College Dublin, where she completed a doctorate on the treatment of insanity in the fiction of Joseph Sheridan Le Fanu.

Klappentext

Best known for his Gothic masterpiece Uncle Silas and the vampire story Carmilla, Joseph Sheridan Le Fanu was a prolific writer whose extensive body of work included historical, sensation and horror novels, poems and ballads, numerous stories of the supernatural, journalism and a verse-drama. While his name is well known to aficionados of the horror genre, much of his work still remains in the shadows. Indeed, despite his vampire creation, Carmilla, being the best-known female blood-sucker in the world, and despite an enormous scholarly and popular interest in the novella in which this character first appeared (an interest evident in the very large number of cinematic, televisual and even new media adaptations of the story), Le Fanu himself is almost completely unknown outside of the world of Irish Gothic scholarship, and most of his fiction remains difficult to obtain or is out of print. To celebrate the bicentenary of Le Fanüs birth, this collection brings together established scholars and emerging researchers in order to shed new light on some of his less famous fiction and celebrate his influential contribution to the Gothic genre. The main aim of the collection is to read Le Fanu in the round, expanding the critical focus away from its current obsession with a small proportion of his work and taking account of the full extent of his writing, from his other Gothic novels, The Rose and the Key, Haunted Lives and A Lost Name, to his short stories and journalism. The collection also considers Le Fanüs relationship to Victorian Ireland and especially Dublin from a number of different angles, as well as addressing his status as an Irish writer of substance.

Inhalt

Jarlath Killeen: Introduction: Forgetting Le Fanu? - Victor Sage: The Mask and the Void: Romantic Grotesque in Le Fanu's Later Romances - Albert Power: Richard Marston of Dunoran: A Tragedy across Three Decades - Valeria Cavalli: The Cup of Madness: Religious Insanity in A Lost Name - Richard Haslam: Le Fanu's 'Green Tea' and Irish Victorian Calvinism - Aoife M. Dempsey: Hyphenated States: Joseph Sheridan Le Fanu and Settler Gothic Fiction - Raphaël Ingelbien: The Teller or the Tale? Narration, Genre and Irishness in 'Squire Toby's Will' - Gaïd Girard: Growing a Voice: Le Fanu and the Laboratory of the Dublin University Magazine - Alison Milbank: Death and the Maiden: Theology, Gender and the Grotesque in Le Fanu's Fiction - W. J. McCormack: The Bad Wall; or, Problems of History in Fiction