This volume explores the many facets and ongoing transformations of our visual identities in the twentieth and twenty-first centuries. Its chapters engage with the constitution of personal, national and cultural identities at the intersection of the verbal and the visual across a range of media. They are attentive to how the medialities and (im)materialities of modern image culture inflect our conceptions of identity, examining the cultural and political force of literature, films, online video messages, rap songs, selfies, digital algorithms, social media, computer-generated images, photojournalism and branding, among others. They also reflect on the image theories that emerged in the same time spanfrom early theorists such as Charles S. Peirce to twentieth-century models like those proposed by Roland Barthes and Jacques Derrida as well as more recent theories by Jacques Rancière, W. J. T. Mitchell and others. The contributors of Imaging Identity come from a wide range of disciplines including literary studies, media studies, art history, tourism studies and semiotics. The book will appeal to an interdisciplinary readership interested in contemporary visual culture and image theory.

Offers a multidisciplinary approach to visual culture and identity Responds to contemporary image culture in new media contexts Combines textual and cultural analysis with recent image theories

Autorentext
Johannes Riquet is Associate Professor of English Literature at Tampere University, Finland. He is the author of The Aesthetics of Island Space: Perception, Ideology, Geopoetics (2019) and the co-editor of Spatial Modernities: Geography, Narrative, Imaginaries (2018). He is currently working on railway fiction in different media and contemporary representations of the transnational Arctic.
**Martin Heusser** is Emeritus Professor at the English Department of the University of Zurich, Switzerland. His research interests include word and image studies, American studies and literary theory. At present, he is working on representations of the Vietnam War in graphic novels and the role of spatiality in the writings of Thomas Hardy.

Inhalt

1. Images of Identity: Text, Visuality and Modern Culture, Johannes Riquet and Martin Heusser.- Part I: Digital Images of Identity.- 2. From the Belfie to the Death-of-me: The Affective Archive of the Self/ie, Misha Kavka.- 3. Calculating Lives? Memory, Archive and Identity in a Digital Era, Holger Pötzsch.- 4. Modelling Vision: Semeiotic Approach to Algorithmic Images, Stephanie Schneider.- Part II: Written Images of Identity.- 5. Ideal Identities and Impossible Translations: Drawing on Writing and Writing on Drawing, Tilo Reifenstein.- 6. On Identification and Narrative Identity: Self-Formation in Bharati Mukherjee's Jasmine , Nicole Frey Büchel.- 7. Art, Arcadia and Images of Identity in John Banville's Frames Trilogy, Alexander G. Z. Myers.- Part III: Contested Images of Identity.- 8. W. B. Yeats's The Dreaming of the Bones : Self-Consuming Images of Identity, Chris Morash.- 9. Images of theVietnam War: Photojournalism, Memory and Civic Spectatorship in Life Magazine, Martin Heusser.- 10. That was my truest voice: Rap Identities Between Authenticity and Fame, Ana Sobral.- 11. Terrorist Self-Fashioning: Politics, Identity, and the Making of Martyrdom Videos from the 7/7 Bombers to Four Lions , Michael C. Frank.- Part IV: Idealised Images of Identity.- 12. Islands as (Floating) Images: Towards a Poetic Theory of Island Geography, Johannes Riquet.- 13. Come see my land: Watching the Tropical Island Paradise Die in Poetry, Daniel Graziadei.- 14. Island Images and Imaginations: Beyond the Typical Tropical, Godfrey Baldacchino.