Autorentext

ILANA WEBSTER-KOGEN is the Joe Loss Reader in Jewish Music at SOAS, University of London. Her first book, Citizen Azmari: Making Ethiopian Music in Tel Aviv (2018, Wesleyan), won the Society for Ethnomusicology's Jewish Music section publication prize. Her work has been published in academic journals such as Ethnomusicology Forum, Contemporary Jewry, and the Journal of African Cultural Studies.

Klappentext

Interdisciplinary ethnography of Torah scrolls as ritual objects and subjects

For Jews all over the world, the Torah scroll is the height of holiness, framed as the carefully designed and produced word of God. Jews give great attention to the care of Torah scrolls, ensuring they are maintained and protected so that they can be used for ritually chanting the Torah portion regularly. Traders, Chanters, and Mystics: The Networked Afterlives of North African Torah Scrolls is an interdisciplinary ethnography of these ritual objects (or subjects) and their role in embedding neighborly relations into Jewish life over centuries. Drawing on Actor-Network Theory, the book foregrounds Torah scrolls not simply as vessels of text but as agents with social lives and affect--as subjects that act within networks of devotion, memory, and migration. In analyzing the scroll's diverse afterlives--how they are celebrated and venerated, how they are chanted from in new surroundings (primarily in France), and how they are collected by Jews and non-Jews--Webster-Kogen offers a new reading of Jewish embeddedness in North African culture and history. Scrolls's afterlives constitute patrimony and restitution, and they can be approached as musical instrument or mystical medium. Anchored in France's Sephardic-majority Jewish communities, this study emphasizes liturgical continuity, offering new insights into ritual, migration, and the entangled afterlives of sacred objects in postcolonial contexts.