

Beschreibung
"Stunning." -- People, Top 10 Books of the Year " The Love Songs of W.E.B. Du Bois is epic in its scope. [It] traces the story of a family, the town in Georgia where they come from, and their migration outward over generations. The word epic is overused these ..."Stunning." -- People, Top 10 Books of the Year " The Love Songs of W.E.B. Du Bois is epic in its scope. [It] traces the story of a family, the town in Georgia where they come from, and their migration outward over generations. The word epic is overused these days, but this book was meant to be an epic and it is. . . . This is one of the most American books I have ever read. It''s a book about the United States. It''s a book about the legacy of slavery in this country. . . . And it''s also a book about traumas and loves that sustain over generations." -- Noel King, NPR "Triumphant. . . . Quite simply the best book that I have read in a very, very long time. . . . An epic tale of adventure that brings to mind characters you never forget: Meg Murry in A Wrinkle in Time , Scout in To Kill a Mockingbird , Huckleberry Finn. . . . The historical archives of Black Americans are too often filled with broad outlines of what happened. . . . One of the many triumphs of Love Songs is how Jeffers transforms this large history into a story that feels specific and cinematic in the telling. . . . Just as Toni Morrison did in Beloved , Jeffers uses fiction to fill in the gaping blanks of those who have been rendered nameless and therefore storyless. . . . A sweeping, masterly debut." -- Veronica Chambers, New York Times Book Review "A feat of beauty and breadth." -- Time , 100 Must-Read Books of the Year "Whatever must be said to get you to heft this daunting debut novel by Honoree Fanonne Jeffers, I''ll say, because The Love Songs of W.E.B. Du Bois is the kind of book that comes around only once a decade. Yes, at roughly 800 pages, it is, indeed, a mountain to climb, but the journey is engrossing, and the view from the summit will transform your understanding of America. . . . With the depth of its intelligence and the breadth of its vision, The Love Songs of W.E.B. Du Bois is simply magnificent." -- Ron Charles, Washington Post "Stupendously good. . . . Jeffers'' renditions of Black family traditions and the burden of respectability politics are spot-on, and made me wish the book was even longer." -- Karen Grigsby Bates, NPR Best Books of the Year "A sweeping matriarchal epic that leads readers through a majestic tour of race, family, and love in America, this striking debut novel by an award-winning poet is, indeed, the Great American Novel at its finest." -- Joshunda Sanders, Boston Globe ''s Best Books of the Year "For me, this doesn''t take much thought. It is THE novel of the year. This astonishing work is the first fiction by a writer whose poetry collections are profound and beautiful. In this book, a young woman follows her family history into the recesses of slavery in America. The young woman is a historian, so we are following her into her stunning access to the documentation of her family''s capture and beyond, to the present." -- Michael Silverblatt, KCRW''s Top 10 Books of the Year "With The Love Songs of W.E.B. Du Bois , Jeffers has created an opus, an indelible entry to the canon of contemporary American literature and one of the foundational fictional texts of Black literature worthy of sitting alongside Ralph Ellison''s Invisible Man , Toni Morrison''s The Bluest Eye and Jesmyn Ward''s Sing, Unburied, Sing. " -- Latria Graham, Atlanta Journal-Constitution "If you read one book this year, choose this one. I went to bed thinking of Ailey Pearl Garfield and woke up thinking of her. With the arrival of this epic novel of family, race, and ancestral legacy, one of America''s finest poets has announced herself as a storyteller of the highest magnitude....
Autorentext
Honorée Fanonne Jeffers is a fiction writer, poet, and essayist. She is the author of the acclaimed New York Times bestseller and Oprah’s Book Club pick The Love Songs of W. E. B. Du Bois, which won the National Book Critics Circle Award in Fiction and the Dayton Literary Peace Prize and was nominated for the National Book Award; as well as five poetry collections, including the NAACP Image Award–winning The Age of Phillis, also nominated for the National Book Award.
Klappentext
**Longlisted for the National Book Critics Circle award for Nonfiction
The New York Times-bestselling, National Book Award-nominated author of The Love Songs of W.E.B. Du Bois and The Age of Phillis makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times.**
Honorée Fanonne Jeffers is at a crossroads.
Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression.
In Misbehaving at the Crossroads, Jeffers explores the emotional and historical tensions in Black women’s public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women’s ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks.
Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, Misbehaving at the Crossroads illustrates the life of one extraordinary Black woman—and her extraordinary foremothers.
