In 1845, John Franklin's Northwest Passage expedition disappeared. The expedition left an archive of performative remains that entice one to consider the tension between material remains and memory and reflect on how substitution and surrogation work alongside mourning and melancholia as responses to loss.

"Davis-Fisch's book is . . . the most original and engaging work on the cultural impact of the mid-century Franklin fascination yet to appear - and, it's to be hoped, a harbinger of further such studies of the larger dramas of exploration as such, in all the regions of the world that the 'West' thought of as distant." - The Arctic Book Review

"The argument of Heather Davis-Fisch's book - that we might trace the 'remains' of a cultural event through performance in order both to evoke its circumstances and to argue for a relationship between performance and history, as well as performance and 'loss' more generally - is important, compelling, and interesting. Davis-Fisch makes her points clearly and delivers interesting close readings informed by recent criticism and theory." - Jennifer Hill, Fitzgerald Distinguished Professor of the Humanities , University of Nevada, Reno

Autorentext
Heather Davis-Fisch is an instructor in English and Theatre at the University of Fraser Valley, Canada

Klappentext

Inhalt
Introduction: Jane Franklin's Dress: Archives and Affect Disciplining Nostalgia in the Navy; or, Harlequin in the Arctic 'The Sly Fox': Reading Indigenous Presence Going Native: 'Playing Inuit,' 'Becoming Savage,' and Acting Out Franklin Aglooka's Ghost: Performing Embodied Memory The Last Resource: Witnessing the Cannibal Scene The Designated Mourner: Charles Dickens Stands in for Franklin Conclusion: Franklin Remains