A guide to finding, researching and using historical textiles in your stitched work, to bring layers of meaning and a rich sense of emotional connection through place and time. Renowned textile artist and tutor Hannah Lamb frequently uses and is inspired by old fabrics in her work, from age-worn cotton and linen sheets to delicate lace collars, vintage patchwork to snippets of colourful printed silk. In this book she explores many creative ways to incorporate historical textiles into your own work, from first conception and initial research to the finished piece. Chapters cover: - Unfolding : how to track down historical textiles in shops, markets, antiques fairs, museum collections and online, or in your own family scrap bag, and how to conduct thorough and meaningful research into them. - Connecting : how to design and plan your work with historical textiles, starting with mood boards and sketchbooks and progressing to practical creative experimentation, including old-fashioned techniques such as the ''prick and pounce'' method of pattern transfer, popular in Tudor times. - Making : the practicalities of using old and fragile materials in your work, and how to combine them with newer fabrics to make cohesive and beautiful pieces that tell powerful stories. This chapter also explores alternative ideas, such as digital printing, that allow you to import the fabric''s essence but leave the original piece intact. - Gathering : this chapter considers examples of contemporary artworks that respond to textile heritage and place, and studies how we tell histories and whose perspective we tell them from. This thoughtful, imaginative book is illustrated with inspirational examples of the author''s own work and that of other leading textile artists, and provides a valuable introduction to working with historical textiles to enhance your own pieces of textile art.

Autorentext

Hannah Lamb is a textile artist, lecturer and author, based at her home studio in West Yorkshire. She works with a range of textile processes, including stitch, print and fabric manipulation, creating textile artworks from an intimate scale to larger installation works. Hannah has lectured in textiles at Bradford School of Art since 2004, where she is currently Programme Leader for Textiles. She exhibits nationally and internationally and is an exhibiting member of the 62 Group of Textile Artists. Her first solo book, Poetic Cloth: Creating Meaning in Textile Art, was published by Batsford in 2019.

Inhalt

Introduction

An A to Z of Cloth and Clothing

Chapter 1: Unfolding

Chapter 2: Connecting

Chapter 3: Making

Chapter 4: Gathering

Conclusion