Autorentext

Grace M. Harpster is Associate Professor of Art History at Georgia State University in Atlanta. Her research, which examines the stakes of the image in early modern Catholicism, has been published in Oxford Art Journal, Religions, and the Journal of Jesuit Studies, among other venues.

Klappentext

Scholars have long acknowledged that reforms after the Catholic Council of Trent (1545-63) represent a watershed in art history, yet they have failed to agree on whether, and how, they had any effect on art. In this study, Grace Harpster offers new insights on the impact of Catholic reform on early modern art. Exploring the social roles of images in late sixteenth-century Italy, she demonstrates that the pressures of Catholic reform increased, rather than limited, the authority of the image. Harpster approaches the topic through a focus on the zealous, peripatetic reformer Carlo Borromeo (1538-84), who implemented new ways to police and pray to sacred images after Trent. His actions demonstrate that Catholic reformers endorsed the image as a powerful object, truthteller, and miracle-worker. The diverse corpus of images on his itinerary, moreover, reveals the critical role of the sacred image in a formative religious and art historical moment.

Inhalt

Introduction; Part I. Catholic Antiquities: 1. Sacred objects; 2. Portraits as artifacts; Part II. Narrative Experts: 3. Abuses and parerga; 4. Relics and istorie; Part III. Miracle-Working Images: 5. Privileged copies; 6. True effigies and new saints; Epilogue; List of references; Index.