Klappentext In White Innocence Gloria Wekker explores a central paradox of Dutch life-the passionate denial of racial discrimination and colonial violence coexisting alongside aggressive racism and xenophobia-to show how the narrative of Dutch racial exceptionalism elides the Netherland's colonial past and safeguards white privilege. Zusammenfassung In White Innocence Gloria Wekker explores a central paradox of Dutch life-the passionate denial of racial discrimination and colonial violence coexisting alongside aggressive racism and xenophobia-to show how the narrative of Dutch racial exceptionalism elides the Netherland's colonial past and safeguards white privilege.

Autorentext

Gloria Wekker is Professor Emeritus of Gender Studies at Utrecht University and the author of several books, including The Politics of Passion: Women's Sexual Culture in the Afro-Surinamese Diaspora.

Klappentext

In White Innocence Gloria Wekker explores a central paradox of Dutch culture: the passionate denial of racial discrimination and colonial violence coexisting alongside aggressive racism and xenophobia. Accessing a cultural archive built over 400 years of Dutch colonial rule, Wekker fundamentally challenges Dutch racial exceptionalism by undermining the dominant narrative of the Netherlands as a "gentle" and "ethical" nation. Wekker analyzes the Dutch media's portrayal of black women and men, the failure to grasp race in the Dutch academy, contemporary conservative politics (including gay politicians espousing anti-immigrant rhetoric), and the controversy surrounding the folkloric character Black Pete, showing how the denial of racism and the expression of innocence safeguards white privilege. Wekker uncovers the postcolonial legacy of race and its role in shaping the white Dutch self, presenting the contested, persistent legacy of racism in the country.

Inhalt

Acknowledgments ix

Introduction 1

1. "Suppose She Brings a Big Negro Home": Case Studies of Everyday Racism 30

2. The House That Race Built 50

3. The Coded Language of Hottentot Nymphae and the Discursive Presence of Race, 1917 81

4. Of Homo Nostalgia and (Post)Coloniality: Or, Where Did All the Critical White Gay Men Go? 108

5. "For Even Though I Am Black as Soot, My Intentions Are Good": The Case of Black Pete 139

Coda. "But What about the Captain?" 168

Notes 175

References 193

Index 215