AN HBO ORIGINAL SERIES, COMING JANUARY 2026

Taking place nearly a century before the events of <A Game of Thrones<, <A Knight of the Seven Kingdoms< compiles the three official prequel novellas to George R. R. Martin''s ongoing masterwork, A Song of Ice and Fire.

<NEW YORK TIMES <BESTSELLER &bull; NAMED ONE OF THE BEST BOOKS OF THE YEAR BY <LOS ANGELES TIMES< AND <BUZZFEED<

These collected adventures recount an age when the Targaryen line still holds the Iron Throne, and the memory of the last dragon has not yet passed from living consciousness. Before Tyrion Lannister and Podrick Payne, there was Dunk and Egg. A young, na&iuml;ve but ultimately courageous hedge knight, Ser Duncan the Tall towers above his rivals&mdash;in stature if not experience. Tagging along is his diminutive squire, a boy called Egg&mdash;whose true name is hidden from all he and Dunk encounter. Though more improbable heroes may not be found in all of Westeros, great destinies lay ahead for these two . . . as do powerful foes, royal intrigue, and outrageous exploits.

Featuring more than 160 illustrations that artist Gary Gianni created specifically for this book, <A Knight of the Seven Kingdoms< is a must-have collection that proves chivalry isn''t dead&mdash;yet.

&ldquo;Stirring . . . As Tolkien has his <Silmarillion<, so [George R. R.] Martin has this trilogy of foundational tales. They succeed on their own, but in addition, they succeed in making fans want more.&rdquo;&mdash;<Kirkus Reviews< (starred review)

Autorentext
George R. R. Martin is the #1 New York Times bestselling author of many novels, including the acclaimed series A Song of Ice and Fire—A Game of Thrones, A Clash of Kings, A Storm of Swords, A Feast for Crows, and A Dance with Dragons—as well as Tuf Voyaging, Fevre Dream, The Armageddon Rag, Dying of the Light, Windhaven (with Lisa Tuttle), **and Dreamsongs Volumes I and II. He is also the creator of The Lands of Ice and Fire, a collection of maps from A Song of Ice and Fire featuring original artwork from illustrator and cartographer Jonathan Roberts, and The World of Ice & Fire (with Elio M. García, Jr., and Linda Antonsson). As a writer-producer, Martin has worked on The Twilight Zone, Beauty and the Beast, and various feature films and pilots that were never made. He lives with the lovely Parris in Santa Fe, New Mexico.
 
Gary Gianni graduated from the Chicago Academy of Fine Art in 1976. He has worked on numerous magazines, children’s books, graphic novels, and paperbacks. He has illustrated a variety of subjects including Batman, 20,000 Leagues Under the Sea, and Michael Chabon’s Gentlemen of the Road. He also drew the Prince Valiant comic strip from 2004 to 2012. Gianni is influenced by the masters of the golden age of illustrating, such as Joseph Clement Coll and Franklin Booth.

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NEW YORK TIMES BESTSELLER • NOW AN HBO ORIGINAL SERIES

Taking place nearly a century before the events of A Game of Thrones, A Knight of the Seven Kingdoms compiles the three official prequel novellas to George R. R. Martin's ongoing masterwork, A Song of Ice and Fire.

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY LOS ANGELES TIMES AND BUZZFEED

These collected adventures recount an age when the Targaryen line still holds the Iron Throne, and the memory of the last dragon has not yet passed from living consciousness. Before Tyrion Lannister and Podrick Payne, there was Dunk and Egg. A young, naïve but ultimately courageous hedge knight, Ser Duncan the Tall towers above his rivals—in stature if not experience. Tagging along is his diminutive squire, a boy called Egg—whose true name is hidden from all he and Dunk encounter. Though more improbable heroes may not be found in all of Westeros, great destinies lay ahead for these two . . . as do powerful foes, royal intrigue, and outrageous exploits.

Featuring more than 160 illustrations that artist Gary Gianni created specifically for this book, A Knight of the Seven Kingdoms is a must-have collection that proves chivalry isn't dead—yet.

“Stirring . . . As Tolkien has his Silmarillion, so [George R. R.] Martin has this trilogy of foundational tales. They succeed on their own, but in addition, they succeed in making fans want more.”—Kirkus Reviews (starred review)

Leseprobe
The Hedge Knight

The story offered here takes place about a hundred years prior to the events described in A Game of Thrones.

The spring rains had softened the ground, so Dunk had no trouble digging the grave. He chose a spot on the western slope of a low hill, for the old man had always loved to watch the sunset. “Another day done”—he would sigh—“and who knows what the morrow will bring us, eh, Dunk?”

Well, one morrow had brought rains that soaked them to the bones, and the one after had brought wet, gusty winds, and the next a chill. By the fourth day the old man was too weak to ride. And now he was gone. Only a few days past, he had been singing as they rode, the old song about going to Gulltown to see a fair maid, but instead of Gulltown he’d sung of Ashford. Off to Ashford to see.

When the hole was deep enough, he lifted the old man’s body in his arms and carried him there. He had been a small man, and slim; stripped of hauberk, helm, and sword belt, he seemed to weigh no more than a bag of leaves. Dunk was hugely tall for his age, a shambling, shaggy, big-boned boy of sixteen or seventeen years (no one was quite certain which) who stood closer to seven feet than to six, and had only just begun to fill out his frame. The old man had often praised his strength. He had always been generous in his praise. It was all he had to give.

He laid him out in the bottom of the grave and stood over him for a time. The smell of rain was in the air again, and he knew he ought to fill the hole before it broke, but it was hard to throw dirt down on that tired old face. There ought to be a septon here, to say some prayers over him, but he only has me. The old man had taught Dunk all he knew of swords and shields and lances, but had never been much good at teaching him words.

“I’d leave your sword, but it would rust in the ground,” he said at last, apologetic. “The gods will give you a new one, I guess. I wish you didn’t die, ser.” He paused, uncertain what else needed to be said. He didn’t know any prayers, not all the way through; the old man had never been much for praying. “You were a true knight, and you never beat me when I didn’t deserve it,” he finally managed, “except that one time in Maidenpool. It was the inn boy who ate the widow woman’s pie, not me, I told you. It don’t matter now. The gods keep you, ser.” He kicked dirt in the hole, then began to fill it methodically, never looking at the thing at the bottom. He had a long life, Dunk thought. He must have been closer to sixty than to fifty, and how many men can say that? At least he had lived to see another spring.

The sun was westering as he fed the horses. There were three; his swaybacked stot, the old man’s palfrey, and Thunder, his warhorse, who was ridden only in tourney and battle. The big brown stallion was not as swift or strong as he had once been, but he still had his bright eye and fierce spirit, and he was more valuable than everything else Dunk owned. If I sold Thunder and old Chestnut, and the saddles and bridles too, I’d come away with enough silver to . . . Dunk frowned. The only life he knew was the life of a hedge knight, riding from keep to keep, taking service with this lord and that lord, fighting in their batt…