Analyzes a wide variety of medieval and early-modern media, including manuscripts, prints, paintings, metalwork, textiles and funerary sculpture Contextualizes medieval construction of gender identity within the concept of Otherness Contributes significantly to the fields of art history, medieval and early modern studies, and gender studies Includes supplementary material: sn.pub/extras

Autorentext

Carlee A. Bradbury is Associate Professor of Art History at Radford University.

Michelle Moseley-Christian is Associate Professor of Art History at Virginia Polytechnic Institute and State University.

Klappentext
This collection examines gender and Otherness other as tools to understand medieval and early modern art as products of their social environments. The essays, uniting a diverse array of up-and-coming and established scholars, explore both iconographic and stylistic similarities deployed to construct gender identity. The text analyzes a vast array of medieval artworks, including Dieric Bouts's Justice of Otto III, Albrecht ** Dürer's Feast of the Rose Garland, Rembrandt van Rijn's Naked Woman Seated on a Mound, and Renaissance-era transi tombs of French women to illuminate medieval and early modern ideas about gender identity, poverty, religion honor, virtue, sexuality, and motherhood, among others.

Inhalt

1 Introduction .- Aspectu Desiderabilis: A Thirteenth Century Reliquary of David with the Face of Medusa.- Picturing Maternal Anxiety in the Miracle of the Jew of Bourges.- Gender and Poverty in Late Medieval Art.- Forms of Gendered Testimony in Dieric Bouts's Justice of Otto III .- In Love and Faithfulness Toward One Another Like Brothers. Dürer's Feast of the Rose Garland and the Scuola dei Tedeschi as Strategies for Mediating Masculine Identity.- The monster, death, becomes pregnant: Female Transi Tombs from Renaissance France.- Embodying Gluttony as Women's Wildness: Rembrandt's Naked Woman Seated on a Mound.