Relocating Popular Music uses the lens of colonialism and tourism to analyse types of music movements, such as transporting music from one place or historical period to another, hybridising it with a different style and furnishing it with new meaning. It discusses music in relation to music video, film, graphic arts, fashion and architecture.

"This collection of articles captures some of the multiple, complex and intricate ways through which the movement of contemporary musical sounds, styles and genres across the globe has an immense impact on notions of identity and their sense of place. Merging theoretical insights and original case studies, the book is a highly welcomed addition to the growing literature on popular music and space, and especially on the ways popular music ushers in aesthetic cosmopolitanism." - Motti Regev, The Open University of Israel, Israel

"Music's apparently increasing freedom from particular places in the Internet era has been accompanied, ironically, by a growth in studies on music's continuing connections to place. Among such studies, this book makes a unique contribution by showing how the 'relocating' of popular music can make its relationship to places all the more significant and multi-faceted." - Andrew Killick, University of Sheffield, UK

"Relocating Popular Music, a lively and timely contribution to music studies, makes a clear case that we really should be paying more attention to how music, as it is made, transmitted and consumed, plays an important role in power struggles about the meanings of space." - David Machin, Örebro University, Sweden

Autorentext
Sran Atanasovski, Institute of Musicology SASA, Serbia Peter Atkinson, University of Central Lancashire, UK Katarzyna Chruszczewska, University of Warsaw, Poland Sandra D'Angelo, King's College, London, UK Georgina Gregory, University of Central Lancashire, UK Nick Hodgin, Lancaster University, UK aneta Jamrozik, University of Central Lancashire, UK Ewa Mazierska, University of Central Lancashire, UK Eva Näripea, Estonian Academy of Arts, Estonia Isabel Stoppani de Berrié, Wolfson College, Oxford, UK Lyndon C.S. Way, Izmir University of Economics, Turkey.

Inhalt
Introduction: Setting Popular Music in Motion; Ewa Mazierska PART I: SOUNDSCAPES OF POWER 1. Turkish Popular Music: People, Places and Spaces of Protest; Lyndon Way 2. Sampling the Sense of Place in Baile Funk; Sandra D'Angelo 3. Die Antwoord the Answer to the Unspoken Question; Katarzyna Chruszczewska 4. Recycled Music for Banal Nation: The Case of Serbia 1999 2010; Sr?an Atanasovski 5. 'Escape and Build Another World': Relocations in Classical Minimalism and Minimal Techno; Isabel Stoppani de Berrie PART II: MUSIC, PLACE AND TOURISM 6. Abbey Road Studios, The Beatles and the Tourist; Peter Atkinson 7. East Meets West: Tallinn Old Town and Soviet Estonian Pop Music on Screen; Eva Näripea 8. Tourism and Heterotopia in Falco's Songs; Ewa Mazierska 9. In Praise of Authenticity? Atmosphere, Song and Southern States of Mind in Searching for the Wrong-eyed Jesus ; Nick Hodgin 10. Emotional Places: The Role of Affect in the Relocation of Mancunian Melancholia; Georgina Gregory 11. Beauty isnot the Word: Relocating Detroit in Eminem's video Beautiful ; ?aneta Jamrozik