Informationen zum Autor Eugen Banauch is a Post-Doctoral Researcher in American Studies at the University of Vienna Klappentext A multi-disciplinary set of essays revolving around the routes of Bob Dylan's cultural appropriations. Zusammenfassung A multi-disciplinary set of essays revolving around the routes of Bob Dylan's cultural appropriations. -- . Inhaltsverzeichnis Part I: Intro1. Refractions of Bob Dylan: an introduction - Eugen Banauch2. Dylan's Americanness in 1960s Britain - Michael GrayPart II: Dylan abroad3. Bob Dylan in Switzerland: a classic case of 'love and theft' - Martin Schäfer4. Localising Dylan: political and musical narratives in Italy - Andrea Cossu5. Not there: the poetics of absence in portrayals of Bob Dylan by Wolf Biermann and Ilse Aichinger - John HeathPart III: Who is not there 6. Bob Dylan's protean style - Ben Giamo7. 'I don't believe you ... you're a liar': the fabulatory function of Bob Dylan - Rob Coley8. The ghost of Bob Dylan: spectrality and performance in I'm Not There - Susanne Hamscha9. Mr Pound, Mr Eliot, and Mr Dylan: USA and Europe, modernity and modernism - Leighton GristPart IV: Dylan critics 10. Time out of mind: Bob Dylan and Paul Nelson transformed - John Frederick Bell11. Greil Marcus and Bob Dylan: the writer and his singer - Jean-Martin BüttnerPart V: Dylan appropriated 12. Tell-tale signs: self-deception in Dylan - Paul Fagan and Mark Shanahan13. 'Yes, it's a very funny song.': spoken intros and the seriousness of Bob Dylan's Halloween show - Paul Keckeis14. Surplus and demand or too much to ask: (in)appropriating Dylan - Robert McColl15. Plagiarism, Bob, Jean-Luc, and me - Stephen ScobiePart VI: Outro 16. The evolution of fan culture and the impact of technology on the Never Ending Tour - Clinton Heylin and Michelle EngertIndex

Autorentext
Eugen Banauch is a Post-Doctoral Researcher in American Studies at the University of Vienna

Klappentext

A multi-disciplinary set of essays revolving around the routes of Bob Dylan's cultural appropriations.

Inhalt

Part I: Intro 1. Refractions of Bob Dylan: an introduction - Eugen Banauch 2. Dylan's Americanness in 1960s Britain - Michael Gray Part II: Dylan abroad 3. Bob Dylan in Switzerland: a classic case of 'love and theft' - Martin Schäfer 4. Localising Dylan: political and musical narratives in Italy - Andrea Cossu 5. Not there: the poetics of absence in portrayals of Bob Dylan by Wolf Biermann and Ilse Aichinger - John Heath Part III: Who is not there 6. Bob Dylan's protean style - Ben Giamo 7. 'I don't believe you ... you're a liar': the fabulatory function of Bob Dylan - Rob Coley 8. The ghost of Bob Dylan: spectrality and performance in I'm Not There - Susanne Hamscha 9. Mr Pound, Mr Eliot, and Mr Dylan: USA and Europe, modernity and modernism - Leighton Grist Part IV: Dylan critics 10. Time out of mind: Bob Dylan and Paul Nelson transformed - John Frederick Bell 11. Greil Marcus and Bob Dylan: the writer and his singer - Jean-Martin Büttner Part V: Dylan appropriated 12. Tell-tale signs: self-deception in Dylan - Paul Fagan and Mark Shanahan 13. 'Yes, it's a very funny song.': spoken intros and the seriousness of Bob Dylan's Halloween show - Paul Keckeis 14. Surplus and demand or too much to ask: (in)appropriating Dylan - Robert McColl 15. Plagiarism, Bob, Jean-Luc, and me - Stephen Scobie Part VI: Outro 16. The evolution of fan culture and the impact of technology on the Never Ending Tour - Clinton Heylin and Michelle Engert Index