This series publishes the latest research by teachers and researchers working in all the disciplines which constitute French studies in this period. The Editors take a broad view of French studies and intend to examine literary and cultural phenomena of the eighteenth and nineteenth centuries, excluding the Romantic movement, against their historical, political and social background in all the French-speaking countries.

The collector was one of the archetypal figures of the nineteenth-century French cultural imagination. During the July Monarchy (1830-48) a new culture of collecting emerged, which continued to develop over the course of the century and which attracted the attention of a wide range of social commentators and writers. From the sketch-writing of the 1830s to the late nineteenth-century decadent fictions of Jean Lorrain, from Balzac's Cousin Pons to Proust's Charles Swann, the literature of the period abounds in examples of men (and occasionally women) afflicted with what the Larousse Grand Dictionnaire called in 1869 'la collectionnomanie'.
This book examines these representations of the collector. It shows that woven into them are fundamental anxieties generated by the experience of modernity, involving the nature of identity and selfhood, the relentless accumulation of commodities in a capitalist system of production and the (in)ability of language to translate experience accurately.

Autorentext

Emma Bielecki teaches modern French literature at the University of Oxford. She holds an MA in French Studies and an MA in European History from University College London and was awarded her PhD by King's College London for a thesis on representations of the collector in French literature from Balzac to Proust.

Inhalt
Contents: The Physiology of the Collector Of Money and Museums: Le Cousin Pons and the Death of the Collector Collecting the Self (Re)Collecting the Past The Poverty of Taxonomy To Create or to Collect?