Those Who Leave and Those Who Stay

Zusatztext 42039645 Informationen zum Autor Elena Ferrante is the author of The Days of Abandonment (Europa, 2005), which was made into a film directed by Roberto Faenza, Troubling Love (Europa, 2006), adapted by Mario Martone, and The Lost Daughter (Europa, 2008), soon to be a film directed by Maggie Gyllenhaal. She is also the author of Incidental Inventions (Europa, 2019), illustrated by Andrea Ucini, Frantumaglia: A Writer's Journey (Europa, 2016) and a children's picture book illustrated by Mara Cerri, The Beach at Night (Europa, 2016). The four volumes known as the "Neapolitan quartet" (My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay, and The Story of the Lost Child) were published by Europa Editions in English between 2012 and 2015. My Brilliant Friend, the HBO series directed by Saverio Costanzo, premiered in 2018. Klappentext A 3rd novel in the "Neapolitan" series from the popular Italian author, translated by Ann Goldstein. Following on from "My Brilliant Friend" and "The Story Of A New Name", it follows Elena and Lila as they forge through adult life. Zusammenfassung Part of the bestselling saga about childhood friends following different paths by "one of the great novelists of our time" ( The New York Times ). In the third book in the New York Times -bestselling Neapolitan quartet that inspired the HBO series My Brilliant Friend ! Elena and Lila have grown into womanhood. Lila married at sixteen and has a young son; she has left her husband and the comforts her marriage brought and now works as a common laborer. Elena has left the neighborhood! earned her college degree! and published a successful novel! all of which has opened the doors to a world of learned interlocutors and richly furnished salons. Both women are pushing against the walls of a prison that would have seen them living a life of misery! ignorance! and submission. They are afloat on the great sea of opportunities that opened up for women during the 1970s. And yet! they are still very much bound to each other in a book that "shows off Ferrante's strong storytelling ability and will leave readers eager for the final volume of the series" ( Library Journal ). "One of modern fiction's richest portraits of a friendship." - NPR ...

Praise for Elena Ferrante and The Neapolitan Novels

“Ferrante’s novels are intensely, violently personal, and because of this they seem to dangle bristling key chains of confession before the unsuspecting reader.”
—James Wood, The New Yorker
 
“One of the more nuanced portraits of feminine friendship in recent memory.”
—Megan O’Grady, Vogue
 
“Amazing! My Brilliant Friend took my breath away. If I were president of the world I would make everyone read this book. It is so honest and right and opens up heart to so much. Reading Ferrante reminded me of that child-like excitement when you can’t look up from the page, when your eyes seem to be popping from your head, when you think: I didn’t know books could do this!” —Elizabeth Strout, author of Olive Kitteridge
 
“I like the Italian writer, Elena Ferrante, a lot. I've been reading all her work and all about her.”
—John Waters, actor and director
 
“Elena Ferrante may be the best contemporary novelist you’ve never heard of.”
—The Economist
 
“Ferrante’s freshness has nothing to do with fashion…it is imbued with the most haunting music of all, the echoes of literary history.”
—The New York Times Book Review
 
“I am such a fan of Ferrante’s work, and have been for quite a while.”
—Jennifer Gilmore, author of The Mothers
 
“The women’s fraught relationship and shifting fortunes are the life forces of the poignant book.”
—Publisher’s Weekly
 
“When I read [the Neapolitan novels] I find that I never want to stop. I feel vexed by the obstacles—my job, or acquaintances on the subway—that threaten to keep me apart from the books. I mourn separations (a year until the next one—how?). I am propelled by a ravenous will to keep going.”
—*Molly Fischer, The New Yorker*

“[Ferrante’s Neapolitan Novels] don’t merely offer a teeming vision of working-class Naples, with its cobblers and professors, communists and mobbed-up businessmen, womanizing poets and downtrodden wives; they present one of modern fiction’s richest portraits of a friendship.”
—John Powers, Fresh Air, NPR
 
“Elena Ferrante is one of the great novelists of our time. Her voice is passionate, her view sweeping and her gaze basilisk . . . In these bold, gorgeous, relentless novels, Ferrante traces the deep connections between the political and the domestic. This is a new version of the way we live now — one we need, one told brilliantly, by a woman.”
—Roxana Robinson, The New York Times Book Review
 
“An intoxicatingly furious portrait of enmeshed friends Lila and Elena, Bright and passionate girls from a raucous neighborhood in world-class Naples. Ferrante writes with such aggression  and unnerving psychological insight about the messy complexity of female friendship that the real world can drop away when you’re reading her.”
—Entertainment Weekly
 
“Ferrante seasons the prose with provocative perceptions not unlike the way Proust did.”
—Shelf Awareness
 
“It would be difficult to find a deeper portrait of women’s friendship than the one in Ferrante’s Neapolitan novels, which unfold from the fifties to the twenty-first century to tell a single story with the possessive force of an origin myth.”
—Megan O’Grady, Vogue
 
“Ferrante’s writing is so unencumbered, so natural, and yet so lovely, brazen, and flush. The constancy of detail and the pacing that zips and skips then slows to a real-time crawl have an almost psychic effect, bringing you deeply into synchronicity with the discomforts and urgency of the characters’ emotions. Ferrante is unlike other writers—not because she’s innovative, but rather because she’s unselfconscious and brutally, diligently honest.”
—Minna Proctor, Bookforum
 
“Ferrante can do a woman’s interior dialogue like no one else, with a ferocity that is shockingly honest, unnervingly blunt.”
—Booklist
 
“The truest evocation of a complex and lifelong friendship between women I’ve ever read.”
—Emily Gould, author of *Friendship*
 
“Elena Ferrante is the author of several remarkable, lucid, austerely honest novels . . . My Brilliant Friend is a large, captivating, amiably peopled bildungsroman.”* *
—James Wood, The New Yorker
 
“Compelling, visceral and immediate . . . a riveting examination of power . . . The Neapolitan novels are a tour de force.”
—Jennifer Gilmore, The Los Angeles Times
 
“Those Who Leave and Those Who Stay surpasses the rapturous storytelling of the previous titles in the Neapolitan Novels.”
—Publishers Weekly (starred review)
 
“Ferrante’s voice feels necessary. She is the Italian Alice Munro.”
—Mona Simpson, author of Casebook and Anywhere But Here
 
“Elena Ferrante wil…