This open access book seeks to explain how the literary commentary of the Lives of the Poets speaks to us today because of its ethical goals. Edward Tomarken elucidates this element of Johnson's literary criticism by using Ralph Cohen's genre method, the topic of Chapter One, Why Genre. Chapters two to five address the most prevalent genres of the Lives : tragedy, metaphysical poetry, the epic, the pastoral elegy, and the mock epic. Chapter six considers the rise of literary criticism as a genre. Chapter Seven demonstrates how ethical genre criticism relates literature to life. And the final chapter explains why, although Johnson considers 'moral' and 'ethical' as nearly interchangeable terms, Tomarken prefers 'ethical' because it relates genre criticism to present problems in literary and non-literary worlds.

This book is open access, which means that you have free and unlimited access The first full-length book on Johnson's "The Lives of the Poets" (1779-81) Proposes an innovative "evaluative genre methodology", adapting Ralph Cohen's genre theory By focusing on ethical evaluation, this study provides a new justification for literary criticism in our daily lives

Autorentext

Edward L. Tomarken is Professor Emeritus at Miami University, Oxford, Ohio, USA, and Honorary Research Fellow at the University of Kent in Canterbury, UK. He has written ten books, one on the sublime, two on Shakespeare, a trilogy on literary theory in films and television, and four studies of Samuel Johnson.

Klappentext

This open access book seeks to explain how the literary commentary of the Lives of the Poets speaks to us today because of its ethical goals. Edward Tomarken elucidates this element of Johnson's literary criticism by using Ralph Cohen's genre method, the topic of Chapter One, "Why Genre". Chapters two to five address the most prevalent genres of the Lives: tragedy, metaphysical poetry, the epic, the pastoral elegy, and the mock epic. Chapter six considers the rise of literary criticism as a genre. Chapter Seven demonstrates how ethical genre criticism relates literature to life. And the final chapter explains why, although Johnson considers 'moral' and 'ethical' as nearly interchangeable terms, Tomarken prefers 'ethical' because it relates genre criticism to present problems in literary and non-literary worlds.

Inhalt

Chapter 1: Why Genre.- Chapter 2: A Literary Critical Tragedy: The Interpretive Turn In The Life Of Savage .- Chapter 3: Johnson On Metaphysical Poetry And Pastoral: Genre In Relation To Value Judgements And History.- Chapter 4: Genre Combination And Interpretation: Johnson On Paradise Lost.- Chapter 5: Genre And Periodization: Macro- And Micro-History In.- Chapter 6: The Rise Of Literary Criticism As A Genre.- Chapter 7: Life And Literature.- Chapter 8: Conclusion.