Dress and Cultural Difference in Early Modern Europe

Dress is a key marker of difference. It is closely attached to the body, part of the daily routine, and an unavoidable means of communication. The clothes people wear tell stories about their allegiances and identities but also about their exclusion and stigmatization. They allow for the display of wealth and can mercilessly display poverty and indigence. Clothes also enable people to play with identities and affinities: for instance, individuals can claim higher social status via their clothes. In many ways, dress is thus open to manipulation by the wearer and misinterpretation by the observer.

Authoritieswhether religious or secular, local or regionalhave always aimed at imposing order on this potential muddle. This is particularly true for the early modern era, when the world became ever more complex. In Europe, the composition of societies diversified with the emergence of new social groups and increasing migration and travel. Thanks to intensified long-distance trade and technological developments, new fashionable clothes and accessories entered the market. With the emergence of a consumer culture, it was now the case that not only the extremely wealthy could afford at least the occasional indulgence in luxury items and accessories.

Over recent years, research has focused on a variety of areas related to dress and appearance in the context of early-modern political, socio-economic, and cultural transformations both within Europe and related to its entanglement with other parts of the world. Nevertheless, a significant compartmentalization in the research on dress and appearance remains: research is often organized around particular cities and territories, and much research is still framed by modern national boundaries. This special issue looks at dress and its perception in Europe from a transcultural perspective and highlights the many differences that clothing can express.

Klappentext
Dress constitutes one of the most obvious and indeed most visual and visible markers of difference. Being very close to the body it becomes part of the daily habitus and an unavoidable means of communication with others. In this volume, we want to follow transcultural perspectives and highlight the multiplicity of differences that are expressed via clothes.

Inhalt

Cornelia Aust, Denise Klein, and Thomas Weller

Introduction

Gabriel Guarino

"The Antipathy between French and Spaniards": Dress, Gender, and Identity in the Court Society of Early Modern Naples, 1501-1799

Maria Hayward

''a sutte of black which will always be of use to you'': Expressions of difference and similarity in the clothing choices of the Scottish male elite travelling in Europe, 1550-1750

Tomas Weller

"He knows them by their dress": Dress and Otherness in Early Modern Spain

Flora Cassen

Jewish travelers in Early Modern Italy: Visible and Invisible Resistance to the Jewish Badge

Cornelia Aust

From Noble Dress to Jewish Attire: Jewish Appearances in the Polish-Lithuanian Commonwealth and the Holy Roman Empire

Beata Biedröska-S ota and Maria Molenda

The Emergence of a Polish National Dress and Its Perception

Constan a Vintil -Ghi ulescu

Shawls and Sable Furs: How to Be a Boyar under the Phanariot Regime (1710-1821)

Giulia Calvi

Imperial Fashions: Cashmere Shawls between Istanbul, Paris, and Milan (Eighteenth and Nineteenth Centuries)

FORUM

Bernhard Gißibl