Dub Revolution explores the most innovative and sonically adventurous sub-genre of reggae: dub. Dub emerged in the early 1970s through the work of legendary producers like Lee ''Scratch'' Perry, Prince Jammy, Scientist, Mad Professor, and in particular the late King Tubby, who was tragically murdered at a young age. Adopted by punks in London and later a crucial influence on underground dance music culture both there and in New York, the culture and legacy of dub still echoes and resonates today, reverberating from sound systems in Kingston and around the world. It''s no exaggeration to say that without dub, there would be no hip-hop or house music. The evolution of dub marks the birth of the remix and the emergence of the studio as an instrument in itself, a place where songs and their constituent parts could be pulled apart and re-shaped into wild new cosmic sounds. The history of dub is also inseparable from the often violent and troubled history of post-colonial Jamaica, gang culture and Kingston''s relationship with Britain and the USA. David Katz''s monumental and forensic history of a musical form that continues to astonish and sound like the future five decades after its inception stands as the authoritative book on a form that continues to fascinate generation after generation.

Autorentext
The author of People Funny Boy: The Genius of Lee 'Scratch' Perry and Solid Foundation: An Oral History of Reggae, DAVID KATZ has written about the sounds and culture of Jamaica since 1984. His work has appeared in various music books and periodicals, including the Guardian, Mojo and the Wire; he has produced diverse radio and film documentaries and remains active as a vinyl DJ. Originally from San Francisco, he currently lives in London.

Klappentext

The most abstract, playful and confounding of reggae subgenres, dub is a vital component of sound system culture that has wielded disproportionate influence. Emerging as an underground phenomenon in Kingston during the early 1970s, dub was wrought by sonic alchemists such as King Tubby, Lee 'Scratch' Perry, Prince Jammy and Scientist, conjuring musical mutations at the mixing desk. Dub reached other lands through the Jamaican diaspora and as Lloyd 'Bullwackie' Barnes furthered the form in New York, Dennis Bovell, Mad Professor and Adrian Sherwood conjured their own dub masterworks in London, Jah Shaka and his acolytes subsequently helping dub to achieve global reach. Widely adopted by post-punk producers and later a crucial influence on the underground dance music scenes of several continents, dub indelibly changed the techniques and aesthetics of music production with far-reaching effects; it's no exaggeration to say that without dub, there would be no hip-hop or house music.

Dub is made from studio trickery, its auteurs fashioning something new by subtraction rather than addition, reversing standard recording techniques. It is a music of absence and deception, a ghostly sonic doppelganger with bass primacy and torpedoed song structures, full of holes and unexpected twists. The evolution of dub marks the birth of the remix and the emergence of the studio as an instrument in itself, a place where songs can be pulled apart and given wild reshaping, rendering a disembodied new form that is often cosmic and typically jagged. Dub's progression is also inseparable from the troubled history of post-colonial Jamaica, blighted by caustic Cold War interventions, attendant gang culture and communal breakdowns. Through first-hand testimony with dub's most noteworthy creatives, David Katz's monumental forensic history of an astounding subgenre that sounds like the future five decades after its inception stands as the authoritative book on a musical art form that continues to fascinate, generation after generation.