Blood Meridian

Recounting the adventures of a young man from Tennessee, "The Kid", who has drifted to Texas in the 1840s, this is an apocalyptic novel and mythic vision of a blood-red Early West. At first innocent, "The Kid" joins a party of crazed and violent Indian hunters.

Zusatztext "A classic American novel of regeneration through violence. McCarthy can only be compared to our greatest writers, with Melville and Faulkner, and this is his masterpiece." Michael Herr "McCarthy is a writer to be read, to be admired, and quite honestlyenvied." Ralph Ellison "McCarthy is a born narrator, and his writing has, line by line, the stab of actuality. He is here to stay." Robert Penn Warren Informationen zum Autor Cormac McCarthy Introduction by Marlon James Klappentext One of The Atlantic 's Great American Novels of the Past 100 Years, now with a new introduction by Marlon James Widely considered one of the finest novels by a living writer, Blood Meridian is an epic tale of the violence and corruption that attended America's westward expansion, brilliantly subverting the conventions of the Western novel and the mythology of the Wild West. Its wounded hero, the Kid, a fourteen-year-old Tennessean, must confront the extraordinary brutality of the Glanton gang, a murderous cadre on an official mission to scalp Indians. Seeming to preside over this nightmarish world is the diabolical Judge Holden, one of the most unforgettable characters in American fiction. Based on historical events that took place on the Texas-Mexico border in the 1850s, Blood Meridian represents a genius vision of the historical West, one whose stature has only grown in the years since its publication. Leseprobe Chapter 1 Childhood in Tennessee Runs away New Orleans Fights Is shot To Galveston Nacogdoches The Reverend Green Judge Holden An affray Toadvine Burning of the hotel Escape. See the child. He is pale and thin, he wears a thin and ragged linen shirt. He stokes the scullery fire. Outside lie dark turned fields with rags of snow and darker woods beyond that harbor yet a few last wolves. His folk are known for hewers of wood and drawers of water but in truth his father has been a schoolmaster. He lies in drink, he quotes from poets whose names are now lost. The boy crouches by the fire and watches him. Night of your birth. Thirty-three. The Leonids they were called. God how the stars did fall. I looked for blackness, holes in the heavens. The Dipper stove. The mother dead these fourteen years did incubate in her own bosom the creature who would carry her off. The father never speaks her name, the child does not know it. He has a sister in this world that he will not see again. He watches, pale and unwashed. He can neither read nor write and in him broods already a taste for mindless violence. All history present in that visage, the child the father of the man. At fourteen he runs away. He will not see again the freezing kitchenhouse in the predawn dark. The firewood, the washpots. He wanders west as far as Memphis, a solitary migrant upon that flat and pastoral landscape. Blacks in the fields, lank and stooped, their fingers spiderlike among the bolls of cotton. A shadowed agony in the garden. Against the sun's declining figures moving in the slower dusk across a paper skyline. A lone dark husbandman pursuing mule and harrow down the rain-blown bottomland toward night. A year later he is in Saint Louis. He is taken on for New Orleans aboard a flatboat. Forty-two days on the river. At night the steamboats hoot and trudge past through the black waters all alight like cities adrift. They break up the float and sell the lumber and he walks in the streets and hears tongues he has not heard before. He lives in a room above a courtyard behind a tavern and he comes down at night like some fairybook beast to fight with the sailors. He is not big but he has big wrists, big hands. His shoulders are set close. The child's face is curiously untouched behind the scars, the eyes oddly innocent. They fight with fists, with feet, with...

Autorentext

Cormac McCarthy Introduction by Marlon James

Klappentext

One of The Atlantic’s “Great American Novels of the Past 100 Years,” now with a new introduction by Marlon James

Widely considered one of the finest novels by a living writer, Blood Meridian is an epic tale of the violence and corruption that attended America’s westward expansion, brilliantly subverting the conventions of the Western novel and the mythology of the “Wild West.” Its wounded hero, the Kid, a fourteen-year-old Tennessean, must confront the extraordinary brutality of the Glanton gang, a murderous cadre on an official mission to scalp Indians. Seeming to preside over this nightmarish world is the diabolical Judge Holden, one of the most unforgettable characters in American fiction.

Based on historical events that took place on the Texas-Mexico border in the 1850s, Blood Meridian represents a genius vision of the historical West, one whose stature has only grown in the years since its publication.

Leseprobe
Chapter 1

**Childhood in Tennessee – Runs away – New Orleans – Fights – Is shot – To Galveston – Nacogdoches – The Reverend Green – Judge Holden – An affray – Toadvine – Burning of the hotel – Escape.
**

See the child. He is pale and thin, he wears a thin and ragged linen shirt. He stokes the scullery fire. Outside lie dark turned fields with rags of snow and darker woods beyond that harbor yet a few last wolves. His folk are known for hewers of wood and drawers of water but in truth his father has been a schoolmaster. He lies in drink, he quotes from poets whose names are now lost. The boy crouches by the fire and watches him.

Night of your birth. Thirty-three. The Leonids they were called. God how the stars did fall. I looked for blackness, holes in the heavens. The Dipper stove.

The mother dead these fourteen years did incubate in her own bosom the creature who would carry her off. The father never speaks her name, the child does not know it. He has a sister in this world that he will not see again. He watches, pale and unwashed. He can neither read nor write and in him broods already a taste for mindless violence. All history present in that visage, the child the father of the man.

At fourteen he runs away. He will not see again the freezing kitchenhouse in the predawn dark. The firewood, the washpots. He wanders west as far as Memphis, a solitary migrant upon that flat and pastoral landscape. Blacks in the fields, lank and stooped, their fingers spiderlike among the bolls of cotton. A shadowed agony in the garden. Against the sun’s declining figures moving in the slower dusk across a paper skyline. A lone dark husbandman pursuing mule and harrow down the rain-blown bottomland toward night.

A year later he is in Saint Louis. He is taken on for New Orleans aboard a flatboat. Forty-two days on the river. At night the steamboats hoot and trudge past through the black waters all alight like cities adrift. They break up the float and sell the lumber and he walks in the streets and hears tongues he has not heard before. He lives in a room above a courtyard behind a tavern and he comes down at night like some fairybook beast to fight with the sailors. He is not big but he has big wrists, big hands. His shoulders are set close. The child’s face is curiously untouched behind the scars, the eyes oddly innocent. They fight with fists, with feet, with bottles or knives. All races, all breeds. Men whose speech sounds like the grunting of apes. Men from lands so far and queer that standing over them where they lie bleeding in the mud he feels mankind itself vindicated.

On a certain night a Maltese boatswain shoots him in the back with a small pistol. Swinging to d…