Artists' oil paints have become increasingly complex and diverse in the 20 th Century, applied by artists in a variety of ways. This has led to a number of issues that pose increasing difficulties to conservators and collection keepers. A deeper knowledge of the artists' intent as well as processes associated with material changes in paintings is important to conservation, which is almost always a compromise between material preservation and aesthetics.

This volume represents 46 peer-reviewed papers presented at the Conference of Modern Oil Paints held in Amsterdam in 2018. The book contains a compilation of articles on oil paints and paintings in the 20th Century, partly presenting the outcome of the European JPI project 'Cleaning of Modern Oil Paints'. It is also a follow-up on 'Issues in Contemporary Oil Paint' (Springer, 2014).

The chapters cover a range of themes and topics such as: patents and paint manufacturing in the 20th Century; characterization of modern-contemporary oil paints and paint surfaces; artists' materials and techniques; the artists' voice and influence on perception of curators, conservators and scientists; model studies on paint degradation and long term stability; approaches to conservation of oil paintings; practical surface treatment and display.

The book will help conservators and curators recognise problems and interpret visual changes on paintings, which in turn give a more solid basis for decisions on the treatment of these paintings.

Covers the characterization of modern-contemporary oil paints and paint surfaces Investigates softening and dripping paints in contemporary oil paintings Focuses on how knowledge is transferred from conservators to researchers and vice versa

Autorentext

Klappentext

Artists' oil paints have become increasingly complex and diverse in the 20th Century, applied by artists in a variety of ways. This has led to a number of issues that pose increasing difficulties to conservators and collection keepers. A deeper knowledge of the artists' intent as well as processes associated with material changes in paintings is important to conservation, which is almost always a compromise between material preservation and aesthetics. This volume represents 46 peer-reviewed papers presented at the Conference of Modern Oil Paints held in Amsterdam in 2018. The book contains a compilation of articles on oil paints and paintings in the 20th Century, partly presenting the outcome of the European JPI project 'Cleaning of Modern Oil Paints'. It is also a follow-up on 'Issues in Contemporary Oil Paint' (Springer, 2014). The chapters cover a range of themes and topics such as: patents and paint manufacturing in the 20th Century; characterization of modern-contemporary oil paints and paint surfaces; artists' materials and techniques; the artists' voice and influence on perception of curators, conservators and scientists; model studies on paint degradation and long term stability; approaches to conservation of oil paintings; practical surface treatment and display. The book will help conservators and curators recognise problems and interpret visual changes on paintings, which in turn give a more solid basis for decisions on the treatment of these paintings.

Inhalt
Challenges in research: Connecting scientific analysis with conservation practice.- Evaluating cleaning systems for use on water sensitive modern oil paints: a comparative study.- Paint Technology.- Pigment Surface Treatments: 20th and 21st century industrial techniques and strategies for their detection.- Meet the future: the creation of new pigments.- Zinc oxide in oil-based house paint: Insights from a paint chemist's notebook dated 1949.- A Glimpse into the House and Decorative Paint Market in Norway During World War I (19141918).- Approaches to the identification of Royal Talens' ETA (emulsion) paint in objects of art.- Synthetic organic pigments in Royal Talens oil paint 1920-1950 The case of vermillion imit .- Case studies: artists techniques and materials; degradation; ethical considerations; treatment options.- Ellsworth Kelly: The Studio and Beyond.- A new vocabulary of color: Bocour oil paints and Barnett Newman.- Analysis of Modern Paints and Conservation at the Clyfford Still Museum.- Pigments of Soviet Artists in the 1950s - late 70s.- A View Through the Meander: A Study of Knifer's Oil Paintings from the 1960s.- Preservation of Russian Abstract Art of the Second Part of the 20th Century.- Investigating colour changes in red and blue paints a preliminary study of art materials and techniques in Edvard Munch's Old Man in Warnemünde (1907).- Aspects of Lovis Corinth's Painting Technique in his late Work: Working Process and Colour Structure captured in Paint and on Film.- Oil paint straight from the tube: paint-specific deterioration in works by Alexis Mérodack-Jeaneau, 1910-1913.- Picasso 1917: Failure Mechanisms in the Paint Layers of Four Artworks.- Investigation on the speckles syndrome affecting late 1920s oil paintings by René Magritte.- Diagnosis and conservation process of major curled-up delaminated areas in a black oil painting from 1960 by Pierre Soulages.-Examination of paint delamination in C'est grace à nous by Asger Jorn.- A synchrotron photoluminescence microscopy study into the use and degradation of zinc white in The Woodcutters by Bart van der Leck.- 'Breaking waves'. The relation between zinc-oxide degradation in a ground layer and extreme delamination on Beach Scene , by J.E.H. Akkeringa (1861-1942).- Efflorescence on the paintings of Edwin Austin Abbey: Examination, analysis, and cleaning of surface bloom on The Spirit of Light .- A Study of Softening and Liquefying Oil Paint on Womenizer by Alex Janvier; K. Helwig et al.- The Deterioration and Treatment of Some Late Paintings by Paul-Émile Borduas.- Colors before Zero: commercial alkyd-oil enamel paints in early reliefs by Jan J. Schoonhoven.- Some considerations when cleaning Robert Ryman's oil paint(ings).- Challenges of Surface Cleaning Paintings by Asger Jorn (1914-1973): An Inventory of Existing Practice.-Decision-making processes regarding the treatment of modern oil paintings (1950's present) exhibiting paint dripping and oil exudates.- Between rejection, ignorance, and preference: The history and dilemma of modern double-sided (recto/verso) paintings with regard to issues of conservation and presentation.- Model studies.- Novel microscopic strategy for the study of paint cross-sections.- Investigations into the mechanical properties of commercial artists' oil paint by Dynamic Mechanical (Thermal) Analysis (DMA), Nanoindentation (UNHT), and Dynamic Vapour Sorption (DVS).- A Preliminary Investigation into the Behavior of Modern Artists' Oil Paints in a Hot and Humid Climate.- Inside the forger's oven: identification of drying products in oil paints during and after accelerated drying with increased temperatures.- The influence of metal stearates on the water sensitivity of modern oil paints.- The rate of solvent action on modern oil paint.- Conservation treatment.- Water-sensitivity in modern oil paintings: Trends in phenomena and treatment options.- Modern oil paintings in Tate's collection: a review of analytical findings and reflections on water sensitivity;.- Analytical study to monitor the effectiveness of a combined liquid-dispensing and micro-aspiration system for the cleaning of modern oil paintings.- Ketone resins varnishes on canvas paintings from the collection of the Munch Museum.- Designing mock-up paintings for a study of novel surface cleaning techniques for Munch's unvarnished Aula paintings.- Analysis of cleaning efficacy and clearance of silicone-based Pickering-type emulsions used in the cleaning of water-miscible oil paints.- Improving the surface cleaning of water sensitive oil paint by use of alternative application methods; M. Hintz et al.- Evolon® CR mi…