Samson and Delilah in Medieval Insular French investigates several different adaptations of the story of Samson that enabled it to move from a strictly religious sphere into vernacular and secular artworks. Catherine Léglu explores the narrative's translation into French in medieval England, examining the multiple versions of the Samson narrative via its many adaptations into verse, prose, visual art and musical. Utilizing a multidisciplinary approach, this text draws together examples from several genres and media, focusing on the importance of book learning to secular works. In analysing this Biblical narrative, ****Léglu reveals the importance of the Samson and Delilah story as a point of entry into a fuller understanding of medieval translations and adaptations of the Bible.

Casts new light on the iconic story of Samson and Delilah through the lens of translation and adaptation studies Offers a multidisciplinary discussion, appealing to cultural historians, art historians, musicologists, biblical scholars, literary scholars and general historians Presents an accessible yet comprehensive introduction to Samson and Delilah, examining how its reception is an entry point into larger discussions about the Middle Ages

Autorentext
Catherine Léglu is Professor of Medieval French and Occitan Literature at the University of Reading, UK. She has held posts at the Queen's University, Belfast, and at Bristol University. She is the author of Multilingualism and Mother Tongue in Medieval French, Occitan and Catalan Narratives (2010).

Inhalt
Chapter 1: Interpretations.- Chapter 2: Visual culture.- Chapter 3: Verse and music.- Chapter 4: Prose and image.