Autorentext

Canan Balan is a visiting fellow in Film at the University of Southampton, where she previously held a position as a research fellow working on post-Ottoman women in film. She has published numerous articles, book chapters, and essays on early cinema, spectatorship, early film theory, and film cultures in Istanbul and Turkey, in both English and Turkish, including articles in Film-Philosophy and Early Popular Visual Culture. She is a veteran lecturer of Istanbul Şehir University and holds a PhD in Film Studies from the University of St Andrews in the UK.

Klappentext

Between the late nineteenth and early twentieth century, Istanbul witnessed a cinematic revolution that carried profound implications for the way ideas of identity, nation, and gender were conceived. Re-examining film's potential as both an artistic and ideological discipline, Torn is the Curtain interrogates the relationship between early film cultures and ideas of social transformation, highlighting how emergent ideas of post-colonialism, Orientalism, and feminism impacted Turkish film aesthetics. Consequently, this volume highlights how early cinema culture was not only shaped by ever-changing religious and cultural forces, but did itself shape contemporary debates about identity and cross-cultural exchange.