This book examines the recent expansion of Ireland's literary tradition to include home-grown crime fiction. It surveys the wave of books that use genre structures to explore specifically Irish issues such as the Troubles and the rise and fall of the Celtic Tiger, as well as Irish experiences of human trafficking, the supernatural, abortion, and civic corruption. These novels are as likely to address the national regulation of sexuality through institutions like the Magdalen Laundries as they are to follow serial killers through the American South or to trace international corporate conspiracies.
This study includes chapters on Northern Irish crime fiction, novels set in the Republic, women protagonists, and transnational themes, and discusses Irish authors' adaptations of a well-loved genre and their effect on assumptions about the nature of Irish literature. It is a book for readers of crime fiction and Irish literature alike, illuminatingthe fertile intersections of the two.

Represents one of the first single-author monographs on Irish crime fiction Focuses on several best-selling authors, such as John Connolly, whose work has not received any significant critical study to date Grounds itself equally in popular literature studies and Irish studies

Autorentext

Brian Cliff is Assistant Professor in the School of English at Trinity College Dublin, Ireland. His recent publications include essays on John Connolly, Tana French, and Deirdre Madden, and Synge and Edwardian Ireland (2012), co-edited with Nicholas Grene. In November 2013, he co-organized Irish Crime Fiction: A Festival in Dublin, which featured 18 Irish and Irish-American crime novelists. He is currently completing a monograph about community and contemporary Irish writing.

Inhalt

Introduction.- 2. Northern Irish Crime Fiction.- 3. Crime Fiction and Contemporary Ireland.- 4. Women and Irish Crime Fiction.- 5. Transnational Irish Crime Fiction.