Examines the impact upon Hollywood of the generation of filmmakers from the 1960s to the 1980s

Brian Gunn San Francisco Chronicle Biskind is a magician at prying revealing yarns and juicy quotes out of his subjects. And the resulting scenarios are deliciously tawdry...moments of real intelligence and grace.

Autorentext

Peter Biskind is the author of five previous books, including Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock ‘n’ Roll Generation Saved Hollywood. He is a contributor to Vanity Fair and was formerly the executive editor of Premiere magazine. He lives with his family in Columbia County, New York.

Klappentext

A dazzling, no-holds-barred chronicle of the wild 1970s that transformed Hollywood, capturing the sex, drugs, genius, and chaos that ignited a cinematic revolution and changed movies forever.

In 1969, a low-budget biker movie, Easy Rider, shocked Hollywood with its stunning success. An unabashed celebration of sex, drugs, and rock ‘n’ roll, Easy Rider heralded a decade in which a rebellious wave of talented young filmmakers invigorated the movie industry.

Easy Riders, Raging Bulls takes us on a wild ride that chronicles the exuberance and excess of the times: the startling success of Easy Rider and the equally alarming circumstances under which it was made, with drugs, booze, and violent rivalry between costars Dennis Hopper and Peter Fonda dominating the set; how a small production company named BBS became the guiding spirit of the youth rebellion in Hollywood and how, along the way, some of its executives helped smuggle Huey Newton out of the country; how director Hal Ashby was busted for drugs and thrown in jail in Toronto; why Martin Scorsese attended the Academy Awards with an FBI escort when Taxi Driver was nominated; how George Lucas, gripped by anxiety, compulsively cut off his own hair while writing Star Wars; how a modest house on Nicholas Beach occupied by actresses Margot Kidder and Jennifer Salt became the unofficial headquarters for the New Hollywood; how Billy Friedkin tried to humiliate Paramount boss Barry Diller; and how screenwriter/director Paul Schrader played Russian roulette in his hot tub. It was a time when an “anything goes” experimentation prevailed both on the screen and off.

After the success of Easy Rider, young film-school graduates suddenly found themselves in demand, and directors such as Francis Coppola, Peter Bogdanovich, George Lucas, and Martin Scorsese became powerful figures. Even the new generation of film stars—Nicholson, De Niro, Hoffman, Pacino, and Dunaway—seemed a breed apart from the traditional Hollywood actors. Ironically, the renaissance would come to an end with Jaws and Star Wars, two hugely successful films that would create a blockbuster mentality and crush innovation.

Based on hundreds of interviews with the directors themselves, producers, stars, agents, writers, studio executives, spouses, and ex-spouses, this is the full, candid story of Hollywood’s last golden age. Never before have so many celebrities talked so frankly about one another and about the drugs, sex, and money that made so many of them crash and burn. By turns hilarious and shocking, Easy Riders, Raging Bulls is the ultimate behind-the-scenes account of Hollywood at work and play.

Zusammenfassung
When the low-budget biker movie Easy Rider shocked Hollywood with its success in 1969, a new Hollywood era was born. This was an age when talented young filmmakers such as Scorsese, Coppola, and Spielberg, along with a new breed of actors, including De Niro, Pacino, and Nicholson, became the powerful figures who would make such modern classics as The Godfather, Chinatown, Taxi Driver, and Jaws. Easy Riders, Raging Bulls follows the wild ride that was Hollywood in the '70s -- an unabashed celebration of sex, drugs, and rock 'n' roll (both onscreen and off) and a climate where innovation and experimentation reigned supreme. Based on hundreds of interviews with the directors themselves, producers, stars, agents, writers, studio executives, spouses, and ex-spouses, this is the full, candid story of Hollywood's last golden age.
MARTIN SCORSESE ON DRUGS: "I did a lot of drugs because I wanted to do a lot, I wanted to push all the way to the very very end, and see if I could die."
DENNIS HOPPER ON EASY RIDER: "The cocaine problem in the United States is really because of me. There was no cocaine before Easy Rider on the street. After Easy Rider, it was everywhere."
GEORGE LUCAS ON STAR WARS: "Popcorn pictures have always ruled. Why do people go see them? Why is the public so stupid? That's not my fault."

Inhalt

Contents
Introduction: Knockin' on Heaven's Door
One: Before the Revolution
Two: "Who Made Us Right?"
Three: Exile on Main Street
Four: The Moviegoer
Five: The Man Who Would Be King
Six: Like a Rolling Stone
Seven: Sympathy for the Devil
Eight: The Gospel According to St. Martin
Nine: The Revenge of the Nerd
Ten: Citizen Cain
Eleven: Star Bucks
Twelve: Coming Apart
Thirteen: The Eve of Destruction
Fourteen: "We Blew It"
Cast of Characters
Selected Filmography of Directors (1967-1982)
Notes
Index
Photo Credits