Applies a concept that has previously only had significant currency in French literary theory to literature in English- Explores characteristic features and definitions of autofiction from a theoretical and conceptual standpoint in the English language - Considers the extent to which certain current Anglophone writers can be considered practitioners of autofiction

Autorentext

Hywel Dix is Principal Lecturer in English and Communication at Bournemouth University, UK. He has published extensively on contemporary British literature, most notably in After Raymond Williams: Cultural Materialism and the Break-Up of Britain (Second Edition, 2013) and Postmodern Fiction and the Break-Up of Britain (2010) . His wider research interests include postmodernism, critical cultural theory and life writing. His monograph about literary careers, The Late-Career Novelist , was published in 2017.

Inhalt

1. Introduction: Autofiction in English The Story So Far: Hywel Dix.- 2. Does Autofiction Belong to French or Francophone Authors and Readers only?: Karen Ferreira-Meyers.- 3. Autofiction in the Third Person, with a Reading of Christine Brooke-Rose's Remake: Lorna Martens.- 4. How Art Constitutes the Human: Aesthetics, Empathy and the Interesting in Autofiction: Meg Jensen.- 5. Autoethnography in post-British Literatures: A Comparative Reading of Charlotte Williams and Jackie Kay: Lisa Sheppard.- 6. Graphic Autofiction and the Visualization of Trauma in Lynda Barry and Phoebe Gloeckner's Graphic Memoirs: Olga Michael.- 7. Illness Narratives and the Consolations of Autofiction: Graham J. Matthews.- 8. Lives in Story: Tim O'Brien's The Things They Carried: Sarah Foust Vinson.- 9. Unpicked and Remade: Creative Imperatives in John Burnside's Autofictions: Ricarda Menn.- 10) Autofiction as a Reflexive Mode of Thought: Implications for Personal Development: Celia Hunt.- 11. Autofictionalizing Reflective Writing Pedagogies: Risks and Possibilities: Amelia Walker.- 12. Roth is Roth as Roth: Autofiction and the Implied Author: Todd Womble.- 13. Self and Fiction in Walking to Hollywood: Alex Belsey.- 14. Eye to I: American Autofiction and its Contexts from Jerzy Kosinski to Dave Eggers: Bran Nicol.