Despite having become marginalized on the map of contemporary art since the wars of the 1990s , the regions of former Yugoslavia continue to be a hub of creative activity . Especially noteworthy is the strong presence of women artists, scholars, and activists whose deeply personal, yet highly political artwork is rooted in a long legacy of female artistic agency. Building on existing scholarship as well as original research, this book highlights how female figures - through art and exhibition making, writing, mentorship, and activism - have shaped the alternative art scene in former Yugoslavia and placed the region firmly on the map of the international post-avantgarde. Using the founding of the Student Cultural Center Belgrade in 1971 as a starting point, the book details the pioneering work of women in the realm of curation, where they developed radical exhibition concepts and programs that furthered the development of the New Art Practice and embedded Yugoslavia firmly on the map of the international postwar-avantgardes. It highlights the agency of female artists in the then-novel realms of performance art, video art, and new media art and shows how their work has helped these disciplines to gain the impact they retain until the present day. What is more, it shows how female cultural workers have courageously used their work to further the discourse on gender, sexuality, and the female body and, at a time when they saw themselves stripped of basic rights by the chauvinist-nationalist regimes emerging after Yugoslavia''s breakup, formed a strong artistic and activist opposition. Highlighting the role of women in the diversification of the ex-Yugoslavia states and its highly unique cultural and political landscape, this book addresses the noticeable gap in art historical scholarship that exists not only around Yugoslavia and its successor states, but especially on its female representatives.

Autorentext
Anja Foerschner is an art historian and curator of contemporary art focusing on feminist art, performance art, and art from the regions of Eastern Europe. She is the director of ECC Performance Art and a lecturer at ArtEZ University's Home of Performance Practices, the Netherlands.

Inhalt

List of Figures
Acknowledgments

Introduction

1. Curatorial Innovations
Women of the Student Cultural Center Belgrade
Mapping the Way: Drangularijum and In Another Moment
The April Meetings
Oktobar and Grupa
The 1978 Conference Drug-ca Zena: Zensko Pitanje: Novi Pristup?
**

2. Performance Art*Bitef* and the Emergence of Performance Art
   Katalin Ladik and Interdisciplinary Performance Work
   Milica Mrda and the Reclaiming of the Female Body
   PPF, Linije Sile, and the Commodified Female Body
   Vlasta Delimar and the Liberation of Female Sexuality

   3. Video Art
   
   Bogdanka Poznanovic and the Emergence of Video and New Media Art
   Meje Kontrole st. 4 and Video as a Political Tool
   4. Social Activism and Political Art
   
   Women's Activism
   Alma Suljevic and Artistic Resistance
   Zaneta Vangeli and the Search for National Identity
   Ema Kugler and Metaphors of Violence
   Jelica Radovanovic and Woman as Symbol
   Cultural Initiatives and Subversions: Dah Teatar and the Center for Cultural Decontamination

   Coda: Where are We Now?

   Notes
   Index