This book offers a groundbreaking exploration of Alexandre Dumas's enduring legacy, focusing on his most celebrated work, The Three Musketeers . Despite its global popularity and cultural impact, critical studies on Dumas and his iconic novel are surprisingly scarce. This monograph breaks new ground as the first modern critical study dedicated to The Three Musketeers , examining its myriad adaptations across diverse cultures and media. Delving into the rich tapestry of Adaptation Studies, this book transcends traditional analyses by exploring a wide array of adaptations beyond the familiar Anglo-centric lens. From India to the Slavic world, and especially examining Latin America, it provides a comprehensive examination of how The Three Musketeers has been reimagined in various cultural contexts. Readers will discover how this serialized novel evolved into a cornerstone of Western culture, tracing its journey through 19th-century printings, stage versions, and children's books. This monograph also investigates the global screen presence or absence of the Musketeers. Scholars and enthusiasts alike will find this book invaluable for understanding Dumas's complex identity as a mixed-race author in 19th-century France. It sheds light on the criticism he faced during his lifetime and how he became the object of systemic erasure from his works. By examining how Dumas's identity has influenced the adaptation and circulation of his stories, this book reveals the intricate relationship between author and characters. This essential read is perfect for researchers in literature, film studies, cultural studies, and anyone intrigued by the fascinating interplay between text and adaptation.

The first book devoted to a conscientious study of the different versions of The Three Musketeers Analyses how Dumas's identity has been central to the adaptation and circulation of his works A benchmark for identity, colonization, representation, and race discussions in 19th century classic French literature

Autorentext

Ana Laura Magis Weinberg holds a PhD in Adaptation Studies from De Montfort University. She specializes in issues of adaptation, identity, and global cinema. Her work has been published in newspapers, magazines, indexed publications, and edited volumes including the Arden Shakespeare collection and the journal Shakespeare . She is currently researching Shakespeare and culture in Latin America at the National Autonomous University of Mexico.

Klappentext
Alexandre Dumas's literary reputation has been ascending, particularly within France, but he is still an underappreciated writer among scholars. Magis Weinberg adroitly examines reasons for the appeal and significance of the Musketeers within popular culture, as well as the myriad ways in which they have been imagined and reimagined in various media over time. In so doing, she makes a valuable contribution to studies on Dumas and reveals why he remains one of the most popular writers in the world. --Dr. Eric Martone (Dean of the School of Education, Professor, History/Social Studies Education, Mercy University, USA) The Three Musketeers is a book that everybody knows but nobody reads. This groundbreaking exploration of Alexandre Dumas's enduring legacy is one of the first modern critical study dedicated to The Three Musketeers, examining its myriad adaptations across diverse cultures and media, and transcending traditional analyses by exploring a wide array of adaptations. From films to toys, and from the Slavic world to Latin America, this monograph provides a comprehensive examination of how The Three Musketeers has been reimagined in various cultural contexts. Through the lens of Adaptation Studies, this book explores the history of the novel from its 19th-century serialized beginnings to its position as an unread cornerstone of Western culture. This book is invaluable for understanding Dumas's complex identity as a mixed-race author and how this has influenced the adaptation and circulation of his works. This is an essential read for understanding the interplays of cultural establishments and how an unread classic is established and circulated. Ana Laura Magis Weinberg holds a PhD in Adaptation Studies from De Montfort University. She specializes in issues of adaptation, identity, and global cinema. Her work has been published in newspapers, magazines, indexed publications, and edited volumes. She is currently researching Shakespeare and culture in Latin America at the National Autonomous University of Mexico.

Inhalt

Chapter 1: Introduction.- Chapter 2: A Study in Alexander Dumas.- Chapter 3: The Musketeers in the beginning.- Chapter 4: The Musketeers on the page.- Chapter 5: The Musketeers on the screen.- Chapter 6: The Musketeers in the world.- Chapter 7: The Musketeers in Latin America.- Chapter 8: Conclusion.