Zusatztext "An exhaustively researched and brilliantly rendered biography." -- Los Angeles Times "[This is] a marvelously readable biography . . . elegantly written." -- The New York Times Book Review "A brilliant and wise account." -- San Francisco Chronicle Informationen zum Autor Amanda Vaill Klappentext A dazzling biography for readers of The Great Gatsby and other Lost Generation authors Gifted artist Gerald Murphy and his elegant wife, Sara, were icons of the most enchanting period of our time; handsome, talented, and wealthy expatriate Americans, they were at the very center of the literary scene in Paris in the 1920s. In Everybody Was So Young Amanda Vaill brilliantly portrays both the times in which the Murphys lived and the fascinating friends who flocked around them. Whether summering with Picasso on the French Riviera or watching bullfights with Hemingway in Pamplona, Gerald and Sara inspired kindred creative spirits like Dorothy Parker, Cole Porter, and F. Scott Fitzgerald. Fitzgerald even modeled his main characters in Tender is the Night after the couple. Their story is both glittering and tragic, and in this sweeping and richly anecdotal portrait of a marriage and an era, Amanda Vaill "has brought them to life as never before" ( Chicago Tribune ). Leseprobe Prologue: Antibes, May 28, 1926 It was their friend Scott Fitzgerald who described the Murphys best, on the beach at Antibes in the south of France, in the summer sun of the 1920s. There is Sara, her face "hard and lovely and pitiful," her bathing suit "pulled off her shoulders" and her brown back gleaming under her rope of pearls, "making out a list of things from a book open in the sand." And there is Gerald, her husband, tall and lean in his striped maillot and a knitted cap, gravely raking the seaweed from the beach as if performing "some esoteric burlesque," to the delight of the little audience of friends they have gathered around them. On the "bright tan prayer rug of the beach," they and their friends swim, sunbathe, drink sherry and nibble crackers, trade jokes about the people with strange names listed in the "News of Americans" in the Paris Herald: "Mrs. Evelyn Oyster" and "Mr. S. Flesh." Their very presence is "an act of creation"; to be included in their world is, Fitzgerald says, "a remarkable experience." Fitzgerald wasn't literally portraying the Murphys, of course; he was writing a novel, called Tender Is the Night , about a psychiatrist named Dick Diver and his wife, Nicole. In the novel, the woman with the pearls is recovering from a psychotic break brought on by incest, and the man with the rake ends up losing his wife, his position, everything he most cares about. These things are not known to have happened to Gerald and Sara Murphy. So when Fitzgerald insisted to Sara, after the publication of Tender Is the Night in 1934, that "I "used you again and again in Tender ," Sara's reaction was denial and distaste. "I hated the book when I first read it," she told her neighbor, the writer Calvin Tomkins. "I reject categorically any resemblance to ourselves or anyone we know--at any time." But Gerald made the connection at once. "I know . . . that what you said in 'Tender is the Night' is true," he wrote Fitzgerald in 1935. "Only the invented part of our life--the unreal part--has had any scheme any beauty." By that time the life the Murphys had invented at their Villa America in Antibes, and in Paris during the 19205, may indeed have seemed unreal. In the intervening years tragedy had famished the Murphys' lives: the death of one child, the mortal illness of another, Gerald's forfeiture of his career as a painter; a whole litany of loss. But on May 28, 1926, those events are in the future, and the invented part of the Murphys' lives is as re...

"An exhaustively researched and brilliantly rendered biography."
--Los Angeles Times

"[This is] a marvelously readable biography . . . elegantly written."
--The New York Times Book Review

"A brilliant and wise account."
--San Francisco Chronicle

Autorentext

Amanda Vaill

Klappentext

**A dazzling biography for readers of The Great Gatsby and other Lost Generation authors
**
Gifted artist Gerald Murphy and his elegant wife, Sara, were icons of the most enchanting period of our time; handsome, talented, and wealthy expatriate Americans, they were at the very center of the literary scene in Paris in the 1920s. In Everybody Was So Young Amanda Vaill brilliantly portrays both the times in which the Murphys lived and the fascinating friends who flocked around them. Whether summering with Picasso on the French Riviera or watching bullfights with Hemingway in Pamplona, Gerald and Sara inspired kindred creative spirits like Dorothy Parker, Cole Porter, and F. Scott Fitzgerald. Fitzgerald even modeled his main characters in Tender is the Night after the couple. Their story is both glittering and tragic, and in this sweeping and richly anecdotal portrait of a marriage and an era, Amanda Vaill "has brought them to life as never before" (Chicago Tribune).

Leseprobe
Prologue: Antibes, May 28, 1926

It was their friend Scott Fitzgerald who described the Murphys best, on the beach at Antibes in the south of France, in the summer sun of the 1920s. There is Sara, her face "hard and lovely and pitiful," her bathing suit "pulled off her shoulders" and her brown back gleaming under her rope of pearls, "making out a list of things from a book open in the sand." And there is Gerald, her husband, tall and lean in his striped maillot and a knitted cap, gravely raking the seaweed from the beach as if performing "some esoteric burlesque," to the delight of the little audience of friends they have gathered around them. On the "bright tan prayer rug of the beach," they and their friends swim, sunbathe, drink sherry and nibble crackers, trade jokes about the people with strange names listed in the "News of Americans" in the Paris Herald: "Mrs. Evelyn Oyster" and "Mr. S. Flesh." Their very presence is "an act of creation"; to be included in their world is, Fitzgerald says, "a remarkable experience."

Fitzgerald wasn't literally portraying the Murphys, of course; he was writing a novel, called Tender Is the Night, about a psychiatrist named Dick Diver and his wife, Nicole. In the novel, the woman with the pearls is recovering from a psychotic break brought on by incest, and the man with the rake ends up losing his wife, his position, everything he most cares about. These things are not known to have happened to Gerald and Sara Murphy. So when Fitzgerald insisted to Sara, after the publication of Tender Is the Night in 1934, that "I "used you again and again in Tender," Sara's reaction was denial and distaste. "I hated the book when I first read it," she told her neighbor, the writer Calvin Tomkins. "I reject categorically any resemblance to ourselves or anyone we know--at any time." But Gerald made the connection at once. "I know . . . that what you said in 'Tender is the Night' is true," he wrote Fitzgerald in 1935. "Only the invented part of our life--the unreal part--has had any scheme any beauty."

By that time the life the Murphys had invented at their Villa America in Antibes, and in Paris during the 19205, may indeed have seemed unreal. In the intervening years tragedy had famished the Murphys' lives: the death of one child, the mortal illness of another, Gerald's forfeiture of his career as a painter; a whole litany of loss. But on May 28, 1926, those events are in the future, and the invented part of the Murphys' lives is as real, as palpable, as the hot sand under their feet or the throbbing of cicadas or the color of the sea-- an improbable turquoise in the shallows, and a deep, purplish…