This book chronicles the transformative impact of CMOS sensor technology on the global DIY filmmaking community. Through the lens of an ethnographer and outsider filmmaker, the author explores how digital cameras have democratized the art of filmmaking, allowing amateurs to create professional-quality films on a shoestring budget. The journey begins with the author's own experience creating Aspirin for the Masses , a feature film shot for just $500, and extends into the broader world of no-budget filmmaking. Key concepts include the rise of the "Am-Auteur," the role of film festivals in identity creation, and the cultural capital of low-cost cinema. The book examines how digital technology has redefined notions of media dissolution and creation, offering new pathways for identity formation. It also delves into the performative aspects of film festivals, where outsider artists gain socio-cultural status. This book is essential for scholars, filmmakers, and anyone interested in the intersection of technology and art. It offers a unique perspective on how digital cameras have reshaped the filmmaking landscape, empowering a new generation of creators to challenge traditional norms and redefine what it means to be an auteur in the digital age.

Explores what it means to be an auteur in the digital age Reveals the transformative impact of CMOS sensor technology on DIY filmmaking Covers the prosumer DSLR era from 2010 to the introduction of mirrorless cameras, iPhone cinema and current TikTok era

Autorentext

Adam Nixon , Ph.D. Senior Lecturer at the University of Maryland, is an Emmy-nominated and Tele Award-winning television producer and filmmaker with extensive expertise in public diplomacy. He has produced 1,000+ television broadcasts from the Middle East to Middle America. Additionally, he was Executive Producer of social media-based content for Instagram, Twitter, Facebook, and YouTube. His team reached 130+ million online views with science, history, and cultural content. Before that, he was the show producer of the nationally syndicated McLaughlin One-on-One on PBS and a senior producer on The McLaughlin Group on NBC. He worked with NBC News Washington, CNN, ABC News New York, Fox Television, MBN, and on many documentary films.

Inhalt

Chapter 1: Introduction.- Chapter 2: Historical Considerations Analog to Digital Cinema Definitions Production Practices Aesthetics and the Emergent AmAuteur Filmmaker.- Chapter 3: Millennial and Gen Z Filmmakers Digital Natives Unmoored from Traditio.- Chapter 4: Generation X Digital Immigrants Working in the Present while Thinking of the Past.- Chapter 5: Film Festivals A Walk on the Red Carpet.- Chapter 6: Laurels The Archive and the Embodied Performance of Filmmaker.- Chapter 7: Conclusion.