'Lolita is comedy, subversive yet divine' Martin Amis, ***Observer

Poet and pervert, Humbert Humbert becomes obsessed by twelve-year-old Lolita and seeks to possess her, first carnally and then artistically, 'to fix once for all the perilous magic of nymphets'. Is he a tortured soul or a monster? Humbert Humbert's fixation is one of many dimensions in Nabokov's dizzying masterpiece, which is suffused with a savage humour and rich, elaborate verbal textures. Filmed by Stanley Kubrick in 1962, and again in 1997 by Adrian Lyne, Lolita has lost none of its power to shock and awe.

'There's no funnier monster in literature than poor, doomed Humbert Humbert' Independent

Autorentext

Vladimir Nabokov (1899-1977), born in St Petersburg, exiled in Cambridge, Berlin, and Paris, became the greatest Russian writer of the first half of the twentieth century. Fleeing to the US with his family in 1940, he then became the greatest writer in English of the second half of the century, and even 'God's own novelist' (William Deresiewicz). He lived in Europe from 1959 onwards, and died in Montreux, Switzerland. All his major works - novels, stories, an autobiography, poems, plays, lectures, essays and reviews - are published in Penguin Modern Classics.

Zusammenfassung
'Lolita is comedy, subversive yet divine ... You read Lolita sprawling limply in your chair, ravished, overcome, nodding scandalized assent' Martin Amis, ObserverPoet and pervert, Humbert Humbert becomes obsessed by twelve-year-old Lolita and seeks to possess her, first carnally and then artistically, out of love, 'to fix once for all the perilous magic of nymphets'. Is he in love or insane? A silver-tongued poet or a pervert? A tortured soul or a monster? Or is he all of these? Humbert Humbert's seduction is one of many dimensions in Nabokov's dizzying masterpiece, which is suffused with a savage humour and rich, elaborate verbal textures. Filmed by Stanley Kubrick in 1962 starring James Mason and Peter Sellers, and again in 1997 by Adrian Lyne starring Jeremy Irons and Melanie Griffith, Lolita has lost none of its power to shock and awe.