Television series enjoy an unbroken - popular as well as scholarly - attention. It is surprising, however, that in works on seriality in media and cultural studies, approaches to television studies and television history still play a rather minor role. Yet seriality must always be thought of in terms of television, since the two have always been indissolubly interwoven - economically, technically, and aesthetically. But what else constitutes the serial in television and how does it change its face in times of digitalization, streaming and interactivity? Is it possible to think of a genuine serial theory of the televisual - and what, in turn, can be learned from this for seriality beyond television? The essays in this volume shed new light on the serial as a core principle of television, thus providing new impulses for a television theory of the serial on the basis of examples from the current range of television series.

The Editors

Dr. Denis Newiak is a research associate at the Chair of Applied Media Studies at the Brandenburg University of Technology Cottbus-Senftenberg.

Dr. Dominik Maeder is an independent researcher.

Dr. Herbert Schwaab is a senior academic councillor at the Institute for Information and Media, Language and Culture at the University of Regensburg.

This book is a translation of an original German edition. The translation was done with the help of artificial intelligence (machine translation by the service DeepL. com). A subsequent human revision was done primarily in terms of content, so that the book will read stylistically differently from a conventional translation.

Autorentext

Denis Newiak, M.A., is a PhD student in the Department of Applied Media Studies at the Brandenburg University of Technology Cottbus.

Dominik Maeder, M.A., is a research assistant at the Institute for Media Studies at the University of Bonn.

Dr. Herbert Schwaab is a senior academic councillor at the Institute for Information and Media, Language and Culture at the University of Regensburg.