This book explores representations of same-sex desire in Indian literature and film from the 1970s to the present. Through a detailed analysis of poetry and prose by authors like Vikram Seth, Kamala Das, and Neel Mukherjee, and films from Bollywood and beyond, including Onir's My Brother Nikhil and Deepa Mehta's Fire, Oliver Ross argues that an initially Euro-American "homosexuality" with its connotations of an essential psychosexual orientation, is reinvented as it overlaps with different elements of Indian culture. Dismantling the popular belief that vocal gay and lesbian politics exist in contradistinction to a sexually "conservative" India, this book locates numerous alternative practices and identities of same-sex desire in Indian history and modernity. Indeed, many of these survived British colonialism, with its importation of ideas of sexual pathology and perversity, in changed or codified forms, and they are often inflected by gay and lesbian identities in thepresent. In this account, Oliver Ross challenges the preconception that, in the contemporary world, a grand narrative of sexuality circulates globally and erases all pre-existing narratives and embodiments of sexual desire.

Autorentext

Oliver Ross is a Teaching Fellow of English at the University of Cambridge, UK.

Zusammenfassung

Leading to protest and debate, same-sex desire in Indian literature and film has appeared in a wide range of works since 1970 including Vikram Seth and the films of Deepa Mehta. Using these works as a focal point, among many others, Ross argues that an Euro-American notion of homosexuality is reinvented when coming into contact with Indian culture.

Inhalt

Introduction

1. Contradictions or Syncretism? The Politics of Female-Female Desire in Deepa Mehta's Fire and Ligy J. Pullappally's Sancharram (The Journey)
2. "Am I Lesbian?" The Contexts of Female-Female Desire in the Work of Kamala Das
3. "The Bliss I Could Portray": Elliptical and Declamatory Male-Male Desire in the Work of Vikram Seth
4. Communal Tensions: Homosexuality in Raj Rao's The Boyfriend and Neel Mukherjee's A Life Apart
5. Transitional Mediations: Homosexuality in My Brother Nikhil, 68 Pages, and Quest/Thaang
   Conclusion