Nigel Barley travels to Sulawesi in Indonesia to live among the Torajan people, known for their spectacular buildings and elaborate ancestor cults. At last he is following his own advice to students, to do their anthropological fieldwork 'somewhere where the inhabitants are beautiful, friendly, where you would like the food.' Barley explores the island on horseback and in buses jammed to the gunnels, and meets priests faithful to the old animist rituals. With his customary wit, he takes the reader deep into this complex but adaptable society.

Reversing the habitual patterns of anthropology, Barley then invites four Torajan carvers to London to build a traditional rice barn at the Museum of Mankind. The observer becomes the observed. Now, it is Barley's turn to explain the absurdities of an English city to his bemused guests, in a glorious finale to a trilogy of anthropological journeys that began with The Innocent Anthropologist.

Autorentext

Nigel Barley was born in Kingston-on-Thames in 1947 and studied Modern Languages at Cambridge before completing a doctorate in Social Anthropology at Oxford. Having taught at University College London and the Slade School of Art, he joined the British Museum in 1988 as an Assistant Keeper in the Department of Ethnography and remained there for some twenty years. After publishing several works of academic anthropology, he wrote The Innocent Anthropologist (1983) about his fieldwork amongst a hill people in Cameroon, West Africa. It contradicted so may of the cherished assumptions of the discipline that it led to calls for his expulsion from the professional body of anthropologists. He remained, however, and now the book has been translated into some twenty-five other languages and is often the first work encountered by students of anthropology in their studies.

He left the Museum in 2002 and is now a professional writer, living in London but dividing his time between the UK and Indonesia. His most recent work is Island of Demons (Monsoon Books, Singapore), a fictionalised treatment of the life of the painter Walter Spies.