Returning to questions about ideology and subjectivity, Flisfeder argues that Slavoj Zizek's theory of film aims to re-politicize film studies and film theory, bringing cinema into the fold of twenty-first century politics.

Autorentext
Matthew Flisfeder is Assistant Professor in the Department of Rhetoric, Writing, and Communications, at the University of Winnipeg, Canada. He is author of Postmodern Theory and Blade Runner (2017), and co-editor (with Louis-Paul Willis) of iek and Media Studies: A Reader (2014).

Inhalt
From Film Theory to Post-Theory Sublime Objects of Cinema Class Struggle in Film Studies Interlude: The Pervert and the Analyst Cinema, Ideology, and Form Enjoyment in the Cinema Conclusion: Theory as Realism Set in Drive