FROM THE WINNER OF THE NOBEL PRIZE IN LITERATURE 2025

In The Last Wolf, a philosophy professor is mistakenly hired to write the true tale of the last wolf of Extremadura, a barren stretch of Spain. His miserable experience is narrated in a single, rolling sentence to a patently bored bartender in a dreary Berlin bar.

In Herman, a master trapper is asked to clear a forest's last 'noxious beasts.' Herman begins with great zeal, although in time he switches sides, deciding to track entirely new game... In Herman II, the same events are related from the perspective of strange visitors to the region, a group of hyper-sexualised aristocrats who interrupt their orgies to pitch in with the manhunt of poor Herman...

These intense, perfect novellas, full of Krasznhorkai's signature sense of foreboding and dark irony, are perfect examples of his craft.

Translated by George Szirtes and John Batki

Autorentext

László Krasznahorkai was born in Gyula, Hungary, in 1954. He has written 14 novels and won multiple awards including the Nobel Prize in Literature for 2025, the National Book Award for Translated Literature in 2019 for Baron Wenckheim's Homecoming, the 2015 Man Booker International Prize for lifetime achievement and the 2024 Prix Formentor. Several of his most famous novels, including Satantango and The Melancholy of Resistance, were turned into films by the director Béla Tarr. His books have been translated into forty-two languages, and his most recent, Herscht 07769, was published in 2024. He lives in the hills of Pilisszentlászló in Hungary.

Zusammenfassung
In The Last Wolf, a philosophy professor is mistakenly hired to write the true tale of the last wolf of Extremadura, a barren stretch of Spain. His miserable experience is narrated in a single, rolling sentence to a patently bored bartender in a dreary Berlin bar. In Herman, a master trapper is asked to clear a forest's last 'noxious beasts.' Herman begins with great zeal, although in time he switches sides, deciding to track entirely new game... In Herman II, the same events are related from the perspective of strange visitors to the region, a group of hyper-sexualised aristocrats who interrupt their orgies to pitch in with the manhunt of poor Herman...These intense, perfect novellas, full of Krasznhorkai's signature sense of foreboding and dark irony, are perfect examples of his craft.