1897, London. The capital is shocked to learn that the body of a woman has been found at the National Gallery, eviscerated in a manner that recalls all too strongly the exploits of the infamous Jack the Ripper.

Daniel Wilson and Abigail Fenton are contacted by a curator of the National Gallery for their assistance. The dead woman, an artist's model and lady of the night, had links to artist Walter Sickert who was a suspect during the Ripper's spree of killings. Scotland Yard have arrested Sickert on suspicion of this fresh murder but it is not the last.

Copycat murders of the Ripper's crimes implicate the artist who loves to shock but Sickert insists that he is innocent. Who would want to frame him? Wilson and Fenton have their work cut out catching an elusive and determined killer.

Autorentext

Jim Eldridge

Klappentext

London 1899. The Museum Detectives Daniel Wilson and Abigail Fenton have been contacted by the curator of the National Gallery. He is getting in touch at the request of the artist, Walter Sickert, famously suspected of being Jack the Ripper for many years. The dead body of a young woman, who had been an artist's model, has been found at the back of the Gallery. She had been eviscerated and Sickert has been arrested on suspicion of her murder.

Although he is soon released, when a second similar murder occurs, Sickert is once again implicated. The murders are copycats of the original Ripper murders, but the details of those crimes were publicised so heavily in the newspapers at the time that most people would know them. Sickert insists he is innocent so who is trying to frame the famous artist? Wilson and Fenton have their work cut out .