African-American expressive arts draw upon multiple traditions of formal experimentation in the service of social change. Within these traditions, Jennifer D. Ryan demonstrates that black women have created literature, music, and political statements signifying some of the most incisive and complex elements of modern American culture. Post-Jazz Poetics: A Social History examines the jazz-influenced work of five twentieth-century African-American women poets: Sherley Anne Williams, Sonia Sanchez, Jayne Cortez, Wanda Coleman, and Harryette Mullen. These writers engagements with jazz-based compositional devices represent a new strand of radical black poetics, while their renditions of local-to-global social critique sketch the outlines of a transnational feminism.

Autorentext
JENNIFER D. RYAN Assistant Professor of English at Buffalo State College, USA.

Inhalt
Introduction: How Do I Make That Sound? A New Feminist Poetics Finding Her Voice: The Body Politics of Sherley Anne Williams's Blues Nationhood Re-formed: Revolutionary Style and Practice in Sonia Sanchez's Jazz Poetics Talk to Me: Ecofeminist Disruptions in the Jazz Poetry of Jayne Cortez Shape Shifting: The Urban Geographies of Wanda Coleman's Jazz Poetry Jazz's Word for It: Harryette Mullen and the Politics of Intellectualism Conclusion: 'Too Many Books For Our Eyes': Future Politics, Future Poetries