Affect Theory, Genre, and the Example of Tragedy employs Silvan Tomkins' Affect-Script theory of human psychology to explore the largely unacknowledged emotions of disgust and shame in tragedy. The book begins with an overview of Tomkins' relationship to both traditional psychoanalysis and theories of human motivation and emotion, before considering tragedy via case studies of Oedipus, Hamlet, and Death of a Salesman. Aligning Affect-Script theory with literary genre studies, this text explores what motivates fictional characters within the closed conditions of their imagined worlds and how we as an audience relate to and understand fictional characters as motivated humans.

Autorentext

Duncan A. Lucas is Professor of Communications in the Department of Liberal Studies at Mohawk College in Hamilton, Ontario, Canada.

Klappentext

Affect Theory, Genre, and the Example of Tragedy employs Silvan Tomkins' Affect-Script theory of human psychology to explore the largely unacknowledged emotions of disgust and shame in tragedy. The book begins with an overview of Tomkins' relationship to both traditional psychoanalysis and theories of human motivation and emotion, before considering tragedy via case studies of Oedipus, Hamlet, and Death of a Salesman.  Aligning Affect-Script theory with literary genre studies, this text explores what motivates fictional characters within the closed conditions of their imagined worlds and how we as an audience relate to and understand fictional characters as motivated humans.

Inhalt

Part One: Theory

Chapter One: Introduction         

Chapter Two: Tomkins and Literature: A Hermeneutical Model        

Chapter Three: Tragedy and the Trope of Disgust         

Part Two: Application

Chapter Four: Case Study One: Sophocles' Oedipus         

Chapter Five: Case Study Two: Shakespeare's Hamlet        

Chapter Six: Case Study Three: Arthur Miller's Death of a Salesman         

Chapter Seven: Conclusion: Dreams We Learn