Anaïs Nin made her reputation through publication of her edited diaries and the carefully constructed persona they presented. It was not until decades later, when the diaries were published in their unexpurgated form, that the world began to learn the full details of Nin's fascinating life and the emotional and literary high-wire acts she committed both in documenting it and in defying the mores of 1950s America. Trapeze begins where the previous volume, Mirages, left off: when Nin met Rupert Pole, the young man who became not only her lover but later her husband in a bigamous marriage. It marks the start of what Nin came to call her "trapeze life," swinging between her longtime husband, Hugh Guiler, in New York and her lover, Pole, in California, a perilous lifestyle she continued until her death in 1977. Today what Nin did seems impossible, and what she sought perhaps was impossible: to find harmony and completeness within a split existence. It is a story of daring and genius, love and pain, largely unknown until now.

Autorentext

Anais Nin (1903-1977) was born in Neuilly-Sur-Seine, near Paris, and was the daughter of a renowned pianist and composer, Joaquin Nin. Abandoned by her father in 1913, she and her family traveled to New York, where she began her now famous diary, comprised of some 35,000 pages over a period of six decades. When the first volume of 'The Diary of Anais Nin' was published in 1966, it began Nin's meteoric surge to fame. However, often overlooked are the works of fiction she created, beginning with 'The House of Incest' in 1936, which was followed by a then-banned edition of a collection of novellas under the title 'The Winter of Artifice.' This original edition has been republished for the first time in 2007. Perhaps Nin's most acclaimed fiction is the series of short stories in 'Under a Glass Bell,' which she self-published in New York during the 1940s when no commercial publisher would take the risk. She then began a series of novels that were interconnected and finally collected into one volume entitled 'Cities of the Interior.' Her final novel was 'Collages,' about which Henry Miller said, "Even the finest collages fall apart with time; these will not."

Anais Nin was one of the 20th century's most innovative and compelling artist, and now her works are finally appearing in digital format.