A leitmotif of early Greek art from 700 to about 550 BC is the portrayal of monsters and beasts set in long alternate rows. Both creatures personify the wilderness beyond the Greek city. For the first time in Greek art the pot painters of Corinth introduced a coherent system of arranging monsters and beasts. Lorenz Winkler-Hora?ek shows in detail how the painters transformed the unreal monsters into rationalised figures of the wilderness.

Lorenz Winkler-Hora?ek , Freie Universität Berlin.

Portrayals of monsters and beasts set in long, alternate rows dominated early Greek art from 700 to about 550 BC. Lorenz Winkler-Horaek shows in detail to what extent Oriental models were adopted and how and when they were transformed by the pot painters of Corinth. In discovering the systematic structure which the painters invented to arrange monsters and beasts, Lorenz Winkler-Horaek argues for a new historical-anthropological reading: the monsters personify the fantastic dimension of the wilderness beyond the civilisation of the Greek Polis. By this rationalization of the irrational concept of the monster the pot painters created an unrivalled hallmark of the city's identity and power: in the crucial time of the shaping of the Greek polis the Corinthian imagery of monsters and beasts was both ubiquitous in the Mediterranean and very much in demand.

Autorentext

Lorenz Winkler-Horaek, Freie Universität Berlin.