For several years, Susanne Kennedy has been prominently present as a director on the German speaking stage. Her radical adaptations of canonical plays and popular films and her own creations of profoundly other counter-worlds are met with critical acclaim but also with bewilderment. To date, theatre studies has only scarcely engaged with the challenges her work poses. The present volume offers the first edited collection on Kennedy's work. The contributions highlight both older and more recent productions and address the question how Kennedy's aesthetics reanimate the theatre.

Autorentext

Prof. Dr. Inge Arteel is full professor of German Studies at the Vrije Universiteit Brussel. PD Dr. Silke Felber is Senior Fellow at the University of Music and Performing Arts Vienna. Prof. Dr. Cornelis van der Haven is associate professor of Dutch literature at Ghent University.

Inhalt
Inge Arteel, Silke Felber, Cornelis van der Haven Susanne Kennedy's Theatre. An Introduction Karel Vanhaesebrouck Transactional Love: Mannerism and Pornography in Susanne Kennedy's Over Dieren Cornelis van der Haven The Enforced, Rejected and Subjecting Gaze: Baroque Frontality in Kennedy's Staging of Fleißer's Fegefeuer in Ingolstadt Mathias Meert Puppets in a Panic Room? Observations on Gesture and Pose in Susanne Kennedy's Fegefeuer in Ingolstadt Inge Arteel Susanne Kennedy's Cinematic Melodrama on Stage Eva Döhne Theatre as an Exercise in Dying. The Hollow Body in Exhibition Silke Felber Susanne Kennedy's Women in Trouble: Troubling (Theatrical) Time Birgit Wiens Re-interpreting the Mask: Masking and Masquerades as an Artistic Research Practice. On Recent Theatre Projects by Susanne Kennedy Mauricio Perussi Drei Schwestern: How to Build Moscow's Point of View Janine Hauthal The Loop as Transmedial Principle in Susanne Kennedy's Drei Schwestern Ulrike Haß Becoming Something Else - Susanne Kennedy's Theatre of Attunement Artist talk with Susanne Kennedy Notes on contributors