Does the rhythmic musicality of a text sound different to an author than to those who want to set it to music or dance it? Or do the bodily movements carried out to play a piece of music have potential for dance? Rhythm, narration, and the body come into focus as connecting elements between literature, dance, and music, making manifold forms of interplay between all three art forms visible.

Autorentext

Céline Gauthier, Conservatoire de Musique du Plessis Trevise, France; Eva Rothenberger, University of Augsburg; Charlotte**Ladevèze, University of Augsburg; Juliane**Pöche, University of Hamburg, Germany.