The study employs a transdisciplinary and methodologically innovative approach to show that for Schwitters, the transgression of existing literary categories went hand-in-hand with the establishment of alternative patterns of order that furnish the structure for his literary and artistic works. This new perspective reveals the ongoing relevance of Schwitters' work as an aesthetic space and medium of reflection in a (post)-modern media culture.

Autorentext

Julia Nantke, Bergische Universität Wuppertal.