Handbook of Materials for Percussion Musical Instruments

This book describes the properties of materials used for making percussion instruments for classical music played by a symphony orchestra in which the instruments could be played as a soloist instrument or as a group or several groups of instruments, as they are included into a musical work. A chapter is devoted to the bells. The scope of this book is primarily confined to percussion instruments of symphony orchestras taking into account the centuries of musical art and tradition. This book bridges the gap in the technical literature on describing the properties of materials for percussion instruments-timpani, other drums, marimba, xylophone, vibraphone, gong, cymbal, triangle, celesta, castanets.

Auteur

Dr. Voichita Bucur, currently an adjunct professor at RMIT Melbourne, Australia, received her bachelor in Engineering in 1962 from Polytechnic Institute Brasov, Romania, and her PhD in Mechanics and Ultrasonics in 1984 from the Institut Supérieur des Materiaux, St Ouen, Paris today named Institut Superieur de Mecanique de Paris, France. Her fields of research encompass development of non-destructive techniques (vibrational, acoustic, ultrasonic, X-rays) for the assessment of the quality of trees, wood products and wood-based composites, mechanical characterisation of materials with non-destructive techniques, wood science and technology, and mechanical characterisation of wood for musical instruments. In 2004, she was awarded the silver medal by Société d'Encouragement du Progrès, France, for contributions to mechanics, acoustics, wood science, education and service to the society. In 2007, she received the distinguish award at 15th International Symposium on Non-destructive Testing of wood, Duluth, Minessota, USA, for contribution to the development of non-destructive techniques for wood and wood-based composites

Contenu

Handbook of materials for percussion instrumentsChapter 0 Preface

PART 1 Percussion instruments, their classification and their sound

Chapter 1 Introduction

Chapter 2 Organology of percussion instruments and patents

Chapter 3 About the sound of percussion instruments

Chapter 4 Experimental methodology for acoustical properties of percussion instruments

PART 2 Structural parts of the Instruments

Chapter 5 The membranophones - timpani, drums, tambourine

Chapter 6 The Idiophones made of wood played with mallets - marimba, xylophone

Chapter 7 The metallic idiophones played with mallets- vibraphone, glockenspiel

Chapter 8 The struck idiophones played with mallets -gong, tam-tam, cymbal, chimes, triangle, plate

Chapter 9 The mallets

Chapter 10 Other Struck idiophone- the church bell, carillon

Chapter 11 Idiophones with keyboard - celesta

Chapter 12 The Concussion Idiophones - castanets, woodblocks

Chapter 13 New Percussion instruments

PART 3 Properties of Materials

Chapter 14 Properties of wood for percussion instruments

Chapter 15 Properties of metallic alloys for percussion instruments

Chapter 16 Properties of leather for percussion instruments

Chapter 17 Properties of new materials for percussion instruments

PART 4 Maintenance and conservation of percussion instruments

Chapter 18 Care and maintenance of percussion instruments

Chapter 19 Conservation of percussion instrument

Chapter 20 Patents