Sound Practices in the Global South

Budhaditya Chattopadhyay

eBook (pdf)

(0)

Donner la première évaluation

"Sound Practices in the Global South: Co-listening to Resounding Plurilogues presents a highly original and critically important ...

CHF104.90

Download est disponible immédiatement

eBook (pdf)

Description

"Sound Practices in the Global South: Co-listening to Resounding Plurilogues presents a highly original and critically important collection of conversations with sound practitioners and thinkers working in and from the Global South. Chattopadhyay's book makes a significant contribution to decolonising the field of Sound Studies by drawing attention to transcultural resonances across diverse practices while shifting attention away from what he calls the 'exoticising... listening ear of canonised scholarship'. This book is an exciting and essential read for anyone interested in sound theory and practice beyond Eurocentric perspectives."

Philippa Lovatt, University of St Andrews, UK

This book delves into the unique sound worlds of key regions in the Global South, by an auto-ethnographic method of self-reflexive conversations with prominent sound practitioners from South Asia, Africa, the Middle East and Latin America. The conversations navigate trajectories of sound practices, illuminating intricate processes of listening, thinking, exposing, and performing with sound. Through a practice-based approach to sound theory and production, the book builds a ground-up knowledge about aural cultures and sonic aesthetics, moving beyond the Eurocentric focus of contemporary sound studies. Instead of understanding sound practices via the lens of consumption and entertainment, they are explored as complex cultural and aesthetic systems, learning from the practitioners themselves and their sonic methodologies. The book reveals a tension between West's predominant colonial-consumerist cultures, and the collective desires of the practitioners to resist colonial models of listening by expressing themselves in terms of their critical making.

Conversations with:

Clarence Barlow, Sandeep Bhagwati, Rajesh K. Mehta, Sharif Sehnaoui, Ximena Alarcön Di az, Hardi Kurda, Mario de Vega, Luka Mukhavele, Khyam Allami, Cedrik Fermont, Khaled Kaddal, David Velez, Juan Duarte, Youmna Saba, Abdellah M. Hassak, Mariana Marcassa, Amanda Gutie rrez, Syma Tariq, Alma Laprida, Siamak Anvari, Mohamad Safa, Debashis Sinha, Zouheir Atbane, Constanza Bizraelli, Jatin Vidyarthi, Joseph Kamaru, Surabhi Saraf, Isuru Kumarasinghe, Hemant Sreekumar.

Budhaditya Chattopadhyay, Professor, Institute of Experimental Design and Media Cultures (IXDM), Academy of Art and Design, University of Applied Sciences and Arts Northwestern Switzerland.

Auteur

Budhaditya Chattopadhyay is an Indian-born media artist, researcher, writer, and theorist, with a PhD in artistic research and sound studies from Leiden University, The Netherlands. Currently, Chattopadhyay is a Mellon Postdoctoral Fellow at the Center for Arts and Humanities, American University of Beirut.

Texte du rabat

This book develops a comprehensive understanding of the unique sound worlds of key regions in the Global South, through an auto-ethnographic method of self-reflective conversations with prominent sound practitioners from South Asia, Africa, the Middle East and Latin America. The conversations navigate various trajectories of sound practices, illuminating intricate sonic processes of listening, thinking through sounds, ideating, exposing, and performing with sound. This collection of conversations constitutes the main body of the book, including critical and scholarly commentaries on aural cultures, sound theory and production. The book builds a ground-up approach to nurturing knowledge about aural cultures and sonic aesthetics, moving beyond the Eurocentric focus of contemporary sound studies. Instead of understanding sound practices through consumption and entertainment, they are explored as complex cultural and aesthetic systems, working directly with the practitioners themselves, who largely contribute to the development of the sonic methodologies. Refocusing on the working methods of practitioners, the book reveals a tension between the West's predominant colonial-consumerist cultures, and the collective desires of practitioners to resist colonial models of listening by expressing themselves in terms of their arts and craft, and their critical faculties.

Conversations with:

Contenu

Part I: Introductory SoliloquyPart II: Conversations